I feel pretty good about this one. At least I don’t hate it. For me, it’s got some interesting marks, colors, and textures. It feels like a piece I would paint.
If you watch the video, you’ll get an idea of the textures and some of the “decay” coloring. It was a lot of fun making this painting. I’ll keep making marks and spilling paint!
Join Quinn on Saturday, September 14, 2024, at 1000 MST for a talk about writing an artist statement. We'll address questions like:
What's the purpose of a statement?
Do I need one?
What should it contain?
What should I NEVER talk about in a statement?
Bring yours to share!
Stream Yard: https://streamyard.com/m83k3a75aq
You Tube: https://www.youtube.com/live/2I7TOJozYuY?si=lMtnK83V7qX0JK3Z
Join Quinn on Saturday for a talk about the Ernest Becker Foundation's paper called, "Death Anxiety and Social Change." This paper explains how to approach these ideas both in your work and talking with other people about how death anxiety influences our day-to-day lives.
Stream Yard: https://streamyard.com/qw7aq7725j
You Tube: https://www.youtube.com/live/xrrVChZd-Nc?si=CedDtlW_xp8tdgw3
“Consuming My Illusion” 9” x 12” paper, acrylic, and cardboard. - September 1, 2024
In some cultures, fish are believed to be messengers of the spirit world, connecting the living and the ancestors.
I've been painting and working with these two figures for a while. I did a painting that was very "primitive" using the drawing here of the homo sapien. The fish is something that I've been working around in ideas. This is multimedia piece; 9" x 12" paper, acrylic and cardboard.
“What the herd hates most is the one who thinks differently; it is not so much the opinion itself, but the audacity of wanting to think for themselves, something that they do not know how to do.”
Join Quinn on Wednesday evening (September 4, 2024, at 1700 MST) for a talk with Dr. Sheldon Solomon, author of The Worm at the Core: On the Role of Death in Life. Quinn and Sheldon will talk about how artists differ in their response to death anxiety. What can an artist do to harness this powerful psychological phenomenon? Can the knowledge of our impending deaths make us more creative?
Join Quinn for a discussion on how artists can explore themes of mortality. The conversation will reference Roland Barthes' book Camera Lucida, which delves into the relationship between photography and death. The wet collodion process, commonly used in 19th-century postmortem photography, is particularly suited to these themes due to its unique aesthetic. Barthes' insights on photography and its connection to death will serve as a central point in this discussion.
"Camera Lucida" is a profound meditation on photography, but it also deeply engages with themes of mortality. Barthes reflects on the nature of photographs as they relate to the passage of time, memory, and death.
Saturday, August 31, 2024, at 1000 MST
Stream Yard: https://streamyard.com/ukhsywxuis
You Tube: https://www.youtube.com/live/SMZ_L8Zrx8I?si=fnfegB_v7KChp_19
You can read Camera Lucida here: CAMERA LUCIDA by ROLAND BARTHES
Join Quinn on Saturday, August 24, 2024, at 1000 MST on Stream Yard or YouTube for another discussion about creativity and mortality. This week Quinn is going to address a Francis Bacon quote, "The quality of mortality." How artists struggle within cultures that don't provide sufficient illusions to buffer their existential dread.
Stream Yard (LIVE): https://streamyard.com/rgj2b62es2
YouTube: https://www.youtube.com/live/GDVcCBPu5Fo?si=npOlCTjB1hUZlKJM
Greetings!
I hope you can join me this Saturday for a discussion with Jeff Greenberg, PhD, co-author of The Worm at the Core: On the Role of Death in Life.
Jeff will spend the hour with us talking about how our knowledge of death influences our day-to-day living and behavior. We'll tackle what it means to be a creative person in light of our finitude (or impending death). What does creating art do for artists viewed through the lens of terror management? How does it differ from a non-creative person? Are there any advantages or disadvantages to being a creative type when it comes to death anxiety or existential terror? And what's the best way for people to understand and grasp these theories and their implications?
Saturday, August 17, 2024 at 0900 PST, 1000 MST, 1100 CST, 1200 EST, and 1800 CET
Stream Yard (LIVE): https://streamyard.com/pemntyfpd6
YouTube: https://www.youtube.com/live/DmRTUrC8kFY?si=ZJa3lrGAraBwUDCx
Join Quinn to discuss Sheldon Solomon's video on bigotry, “Conversations with Solomon.” How can we use this for making art? What inspiration does this provide for creative and expressive work? Moreover, how is this connected the fear of mortality?
“Because cultural conceptions of reality keep a lid on mortal dread, acknowledging the legitimacy of beliefs contrary to our own unleashes the very terror those beliefs serve to quell. So we must parry the threat by derogating and dehumanizing those with alternative views of life, by forcing them to adopt our beliefs and co-opting aspects of their cultures into our own, or by obliterating them entirely.”
― Sheldon Solomon, The Worm at the Core: On the Role of Death in Life
Join Quinn on Saturday, August 3, 2024, for an hour and explore the relationship between creative and non-creative people and how they cope with mortality. Quinn will cover some of Ernest Becker's thoughts on Otto Rank's breakdown of how artists manage their anxiety about death.
Stream Yard: https://streamyard.com/rdy5fe8ipy
YouTube: https://www.youtube.com/live/FPPpLUQFz7U?si=uJZIftVEZFMVHzHs
