We love you and you will be missed!!!
Lucky Jacobson entered Heaven on April 9, 2008 at about 1830 in Viernheim, Germany. He would have been 18 years-old this August 10! He was in kidney failure due to his age. He had a wonderful life and we were there for him to the end. This photograph was taken on one of his many trips around Europe. This was in Lucca, Italy on a beautiful September morning of 2007.
Our sweet little Lucky dog. The best dog ever!
My first impressions of Berlin were, "Ummm, this is Berlin?" In other words, I wasn't that impressed. It's a large city, some 3 - 4 million people. It's spread out and takes forever to get anywhere (by foot). The U-Bahn is good, but again, somewhat inconvenient. However, I think the biggest let down was the "industrial" feel of the place. I'm not going to kvetch about the entire trip or city, because there are some very good things in Berlin to experience.
Suckin' the espresso!
The Jewish Museum Berlin: This is an amazing place. Moreover, we got to see an exhibit called, "Typisch - Klichees von Juden und Anderen" ("Stereotypes - Cliches of Jews and Others"). The show consists of common stereotypes about groups of people as well as out right racial and ethnicity issues. It's frightening when I think about all of the subtle racial and ethnic beliefs we all have. There were a couple of very moving/interesting pieces in the show. The first was "49 Jewish Noses" from Dennis Kardon. It was interesting to find the "nose" of Nan Goldin in this piece. She's a photographer that I like (and met once). When I met her, I was challenging her on her view, and what she had said about the work of Donna Ferrato. She said I was "belligerent". I thought that it was uncalled for at the time, but I my passion sometimes translates as aggression. Another piece that stood out was called, "You Don't Have To Be Jewish To Love Levy's Real Jewish Rye" by Howard Zieff. I bought the catalog/book.
"49 Jewish Noses" 
Anne Sprinkle, Tit Print
"A Bookend"
"You Don't Have to be Jewish..."
The museum is huge. You could spend days in it and not see everything. I had flashbacks of the Louvre when we were walking through it. It starts at the beginning of the Jewish history and works its way through the Holocaust. Daniel Liebeskind did an amazing job with the architecture. If you look at an aerial of the building is looks like a broken star of David.
Jeanne and Quinn 
The Memorial we were iin.
This is the memorial we were in (above photo)
those are olive trees growing on the tops of the
pillars - the ground is uneven and disorienting.
One place that was especially moving is called "The Holocaust Tower". Jean and I were the only ones in it for a few minutes. It's very dark and very cold. There is one bit of light at the top (way up there) and you can hear the outside world. It was eerie. When we tried to leave, I couldn't open the door (I was pulling and should have been pushing) it freaked me out! There was a large room with metal "faces" called "Fallen Leaves" this too was very moving and eerie - I've uploaded a video here.
Inside the Holocaust Tower
When we were finished at the museum, we headed over to "Checkpoint Charlie" and "The Wall". It was a great day, and like all of our adventures here, will be indelibly burned into our memories!
Checkpoint Charlie: East Germany met West Germany 
West Berlin - US Soldier photo.
"The 'real' still standing wall that separated
the East from the West - mind blowing history"
I feel comfortable enough now to start telling people about what I'm doing here - in a more public way. It's a difficult position to be when you want to keep the idea to yourself until you know (or at least think you know) you can pull it off and getting attention and support for it. Ultimately, I'm going to have to get a lot of attention on this project for it to be able to do what I want.
Unfortunately, I don't have much confidence that the German people will respond well to this project. It's an unhealed land and people in a lot of ways. Forgiveness and the acceptance of forgiveness isn't evident to me - this is still a very taboo topic here.
I really love this image (it will probably end up on the front of my new web site) - this was the first plate of the day. It's an 8" x 10" black glass Ambrotype shot with a small Jamin-Darlot (c.1864) lens - I like the "keyhole" effect this lens gives the image.
We visited Mainz, Germany today. It's about 45 minutes to the north of us. I made three wet plate collodion images there of the former synagogue. It was perfect weather and a perfect day for it.
The Germans were very friendly in Mainz. We had a paper ready to handout to them explaining what I was doing. There were a few very positive and encouraging responses; I was surprised. There were a few that stayed and watched as I went through the entire process and saw the final plate coming up in the fix. Really great stuff!
I am very excited about this project now; the results were fantastic today and I look forward to going out again in a few days to make more images. Jean and Summer were outstanding! I love you both! Thank you for all of your help - I couldn't do this crazy thing without you!
The memorial plaque - this plate is exquisite in real life. The details are amazing - especially the stones
and the relief of the old synagogue. This is an 8" x 10" Ambrotype on black glass.
Quinn exposes a plate as Summer rolls video.
Here's the setup: Toyota 4Runner and a portable darkroom!
I'm always thinking about how to improve my craft. I've found that teaching about what I do helps me learn a lot about what I do.
Here's a video that Summer shot for me today as I demonstrated how to make a wet plate collodion negative and then P.O.P print. I know people will write me and say, "Why didn't you show the details in how you did this or that..." and I'll respond, "You'll get all of the details when I release my revised book and DVD set in July" - these are only demo videos... I'm just testing the waters and getting feedback.
Anyway, here's the video:
It seems that I've been waiting forever for my portable dark box to arrive (here in Germany). It was shipped on February 5, 2008 from Rochester, New York. You wouldn't think it would take a month, but then again one of the biggest and most annoying things about living here is the APO system and the expense of commercial post (like FedEx and DHL). It's outrageous on both ends.
Quinn's darkbox
In hindsight, it's actually been a very good thing. I've been able to gather my thoughts about my approach to working through my Kristallnacht project. At first, I thought I would approach it a stand alone, no interference, straight forward (almost documentary) project. I simply wanted to photograph the locations I have pre-selected and making 8x10 Black Glass Ambrotypes (wet plate collodion images). That’s not going to happen and, moreover, I don’t want it to happen. You see, I realize that the concept of this project is bigger than the craft of this project. It other words, the idea is much stronger than the images I would or could make of former synagogue sites. It’s a strange problem to have. It’s usually the other way around for an artist; it’s all craft and no concept. Hit a random “fine art photo” site and you’ll see what I mean.
The Mainz Synagogue
Here's my solution: I'm goign to include my portraiture work, landscape work and object work all under the umbrella of the Kristallnacht project. I’ve decided that even though these objects, people or landscape scenes, weren’t (necessarily) here, they all share a common link to either the victims or the perpetrators both in idea and the physical world. And, after all, my message is about the questions surrounding Kristallnacht and ultimately, the Holocaust.
Last night was the first performance of Arsenic & Old Lace and Summer was outstanding in it! She made the play. She plays Abby Brewster.
Tonight, she'll do another performance and hopefully I will get some video tape, if I do, I'll post it!
Summer in Arsenic & Old Lace
Summer as Abby Brewster doing charity work for Brooklyn.
The three main characters at the end of the show.
I've been wanting to work on some video for a while now and today I had some free time, so I put this little snippet together.
This is Peter Hocking, an advisor/faculty at Goddard College introducing me and taking about my work at my graduation ceremony on July 29, 2007.
Anne Frank ExhibitOn Sunday, Jean, Summer, Denise and I jumped on the Straßenbohn and went into Mannheim. We walked around and enjoyed the people - pure C-A-N-D-Y, very delicious. There were two young German girls that came running up to us saying, "Engländer, Engländer!" I wasn't quite sure what to make of them. They were probably about 12 or 13 years-old. At first, they seemed to be interested in Summer's Converse bag. We finally realized that they were doing a project for their English class; they wanted to record us speaking English. Once I understood that, I told them to get their recorders ready - and then I said, "I want to know why more Germans can't be as friendly as you are and why they don't remember Kristallnacht here in Germany." I can't wait until their teacher translates that for them - maybe it will start a dialogue! They were puzzled but immediately played it back and were listening to it as we walked away. Several minutes later, they caught up to us again and had us clap (applause) into their recorders - we happily obliged. We were speaking in German and asking them to say "Hallo" to German people as they walked by and to see how many responded positively - few did - it was an amazing, quick sociological experiment and those girls gave me hope for the future of Germany.
We were hungry after all of this and had lunch at a Turkish Döner. Ein Der Turkei Pizza mit Lamm Fleisch (Döner) rocks!! I had the Turkish buttermilk called, "Arayan" - it's a cross between buttermilk and yogurt drink, very popular with Turkish people and very tasty. After lunch, we headed to the synagogue to see the Anne Frank exhibit.
Although we went to the Anne Frank Haus in Amsterdam in 2001, her story never ceases to amaze me, lift me up and sadden me all at once. It's like she knew that she wasn't going to live very long. Her passion and dreams were waiting to be realized, but were dashed and destroyed by insane, possessed people. I hope she can see the positive influence her work and life has had, and will continue to have, on people all over the world. She was an amazing human being.
