Berlin is redeemed.
The first visit I had to Berlin in April of this year (2008), wasn't very good (if you're real curious, look in April 2008 of this blog). It wasn't that I didn't enjoy it, I just didn't "get it".
Berlin is one of those cities that you have to know to enjoy it. I would say it's analogous to wine, it gets better with time. I'm not saying that three days in Berlin gave me the knowledge I needed to enjoy Berlin, I'm saying you can "piggy back" on friends that know the city, and that's what I did.
Jessica and Steven (hosts of the workshop), showed us around the cool, artsy areas of Berlin. And yes, some of them looked like they were hit with an "art bomb" (thanks to Mike Doughty). We visited Kreuzberg, Mitte, Prenzlauer Berg and of course, Wedding (where the studio was and our apartment was). These are small (not really small in size, but concept) villages within Berlin. They are distinct in culture, and flavor too. We had dinner at places varied as Indian-Thai, Lebanese, and Italian. Art and "the other" all around us, all of the time.
Berlin Synagogue We were walking down Oranienburger Str. and I look up and see these huge ornate gold balls/domes. I immediately recognize it as the New Synagogue. It's really huge and really beautiful. The Synagogue was burned during Kristallnacht (November 9, 1938) but the blaze was put out before much damage was done. The Nazis occupied the building in 1940 and desecrated the Synagogue by using it for storage. The Nazis also destroyed the Jewish cemetery in Berlin. The Synagogue sustained severe damage by Allied bombs during the war and for years it was left as an empty shell. Restoration began in 1988 and the Synagogue was reopened on May 7, 1995, the 50th anniversary of the German surrender. Like many of the Synagogues it is guarded around the clock.
Jessica and Steven were incredibly kind and were great hosts. We had a wonderful time enjoying the sights, flavors and sounds of Berlin. It's an amazing city if you know what you are doing.
Summer and I went to Berlin to do a workshop. Jessica attended one of my workshops in Barcelona and asked if I would do one in Berlin at her studio. Having had a marginal time in Berlin in April, I said, "yes!". She did a lot of work to make it happen. We had four people in the workshop (including Jessica). Claire from London, Jan from Berlin and Steven from Berlin. Jessica and Steven are studio mates and are American. Claire is British and Jan is German. We had a lot of fun. I really enjoy the diversity and the personalities in these workshops.
SOME WORKSHOP PHOTOS
The group cleaning glass.
Claire making a portrait of Summer. That's Steven crouching down (on the right). We had to open the windows for every exposure because the glass was UV protected - Collodion needs UV light to make a photograph.
A POP print (from a negative) I did of Jan. This was a 30 second exposure. I fixed in hypo, intensified with a very mild bleach and 15% AGNo3 solution and printed and toned on P.O.P. This was a demonstration on how to make negatives. His eyes in the print are striking!
Steven's boy, Jaden. He was a great little model for Steven. This is a 5x7 Black Glass Ambrotype. It's a beautiful plate, flaws and all. 
Claire heats an 8x10 Black Glass Ambrotype to varnish it. This is another portrait of Jan. He was a great subject/sitter. This image was made right on the end of the UV for the day and has a very "dark" feeling - figuratively and literally - a very nice photograph.
Jessica looking over the day's work.
Steven finishes the varnishing of his portrait.
Summer plays us out at the end of the workshop as Claire, Jan and Jessica look at, and talk about the photos.
Thank you Jessica, Steven, Jan and Claire. I really enjoyed my time in Berlin. I'm looking forward to a return visit.
Thank you Summer. You're a wonderful wet-head assistant and a talented, intelligent, beautiful and creative human being. I couldn't have done it without you. I love you.
Fallen Leaves
Today, I tried to take advantage of the beautiful weather here in Germany. It's late October and it's sunny and 16C (55F). Perfect weather for making plates.
I pulled out a new piece of black plastic (acrylic) and went to work. I mounted my Hermagis lens and stopped it down to a number six (6) Waterhouse stop. I'm going to make an educated guess here and say that would be about an f/30. Why? It's a 15" lens and the stop #6 is about .5" - do the math.
Anyway, I decided I wanted to work on some kind of still life/landscape image. I chose to use the stopped down lens to show infinite (or close to it) depth and detail.
I chose to photograph our cherry tree. Cherry trees symbolize death, rebirth and new awakenings (among many other things including food and ornamental uses). Our cherry tree only produces fruit every other year. This year it didn't and I missed those delicious cherries (Kirschen).
Ever since I visited the Jewish Museum in Berlin, fallen leaves remind me of the faces in the piece called, "Fallen Leaves" - I did a 20 second video while I was walking on the "faces" - it was, loud and disconcerting.
I wanted to explore this idea of "fallen leaves" and yet show something resilient and strong (the tree trunk). So I setup this shot.
First, I took a jug of water and I poured it on the tree trunk. I knew it would help define the "texture/scars" on the trunk and make it dark. Water, or wet things, has/have an interesting relationship with Collodion. I really like the effect of something wet or something steel with Collodion (I think it's the reflection or sheen).
Next, I made a test exposure. It was way underexposed at 8 seconds. The next exposure, I went 16 seconds, still under and finally, after three plates, made this at 40 seconds.
"Fallen Leaves" - Cherry Tree, Viernheim, Germany
It's an 8x10 "Acrylotype" (made on a piece of black plastic). I'm happy with it. I love the light. It was early enough that this portion of my yard was still in the shade. I love how the leaves are the things that pickup, and reflect, the new morning light... and the trunk, standing tall and strong. It's surrounded with darkness and "things" coming out, or even reaching out, of that darkness. It's symbolic for me.
Jesus Was A Jew
My goal in 2009 is to really concentrate on getting my project completed. By the winter of 2009, I want to be editing images for a book. That's my goal. In order to do that, I'm going to cut back on workshops (maybe do two next year) and get my technical writing and DVD material completed this year (in the next couple of months).
It was a good day today. Sunday and Germany equals no one bothering you about "what you're doing". Any other day, or any other time, I would have never been able make this image.
I find this image both ironic and symbolic. Ironic in the sense that Jesus was a Jew. Symbolic in the sense that Jesus was a Jew (and that He represents salvation and love). I find it kind of kitschy too - that's why I made it on a piece of plastic (black acrylic, I call it an "Acrylotype"). I made the image with an old Derogy lens. It's not big enough to cover the plate (8"x10") edge to edge, so it gives it that vignette. Vignettes make me feel like I'm looking through a keyhole or seeing something I'm not supposed to be seeing. I like the effect it gives of saying (visually), "LOOK HERE". Images of Jesus on the cross always remind me of Serrano's work too. He made an image called, "Piss Christ" that everyone took out of context and misunderstood. I'll never forget it.
You'll see these kinds of statues in a lot of the Catholic states/counties in Germany. You'll also see a lot of crosses. And every village has a Catholic church in its center with its steeple stretching toward heaven.
Jesus Was A Jew
"Ich bin ein Berliner?"
My first impressions of Berlin were, "Ummm, this is Berlin?" In other words, I wasn't that impressed. It's a large city, some 3 - 4 million people. It's spread out and takes forever to get anywhere (by foot). The U-Bahn is good, but again, somewhat inconvenient. However, I think the biggest let down was the "industrial" feel of the place. I'm not going to kvetch about the entire trip or city, because there are some very good things in Berlin to experience.
Suckin' the espresso!
The Jewish Museum Berlin: This is an amazing place. Moreover, we got to see an exhibit called, "Typisch - Klichees von Juden und Anderen" ("Stereotypes - Cliches of Jews and Others"). The show consists of common stereotypes about groups of people as well as out right racial and ethnicity issues. It's frightening when I think about all of the subtle racial and ethnic beliefs we all have. There were a couple of very moving/interesting pieces in the show. The first was "49 Jewish Noses" from Dennis Kardon. It was interesting to find the "nose" of Nan Goldin in this piece. She's a photographer that I like (and met once). When I met her, I was challenging her on her view, and what she had said about the work of Donna Ferrato. She said I was "belligerent". I thought that it was uncalled for at the time, but I my passion sometimes translates as aggression. Another piece that stood out was called, "You Don't Have To Be Jewish To Love Levy's Real Jewish Rye" by Howard Zieff. I bought the catalog/book.
"49 Jewish Noses" 
Anne Sprinkle, Tit Print
"A Bookend"
"You Don't Have to be Jewish..."
The museum is huge. You could spend days in it and not see everything. I had flashbacks of the Louvre when we were walking through it. It starts at the beginning of the Jewish history and works its way through the Holocaust. Daniel Liebeskind did an amazing job with the architecture. If you look at an aerial of the building is looks like a broken star of David.
Jeanne and Quinn 
The Memorial we were iin.
This is the memorial we were in (above photo)
those are olive trees growing on the tops of the
pillars - the ground is uneven and disorienting.
One place that was especially moving is called "The Holocaust Tower". Jean and I were the only ones in it for a few minutes. It's very dark and very cold. There is one bit of light at the top (way up there) and you can hear the outside world. It was eerie. When we tried to leave, I couldn't open the door (I was pulling and should have been pushing) it freaked me out! There was a large room with metal "faces" called "Fallen Leaves" this too was very moving and eerie - I've uploaded a video here.
Inside the Holocaust Tower
When we were finished at the museum, we headed over to "Checkpoint Charlie" and "The Wall". It was a great day, and like all of our adventures here, will be indelibly burned into our memories!
Checkpoint Charlie: East Germany met West Germany 
West Berlin - US Soldier photo.
"The 'real' still standing wall that separated
the East from the West - mind blowing history"
Wet Plate Collodion Photography: Kristallnacht
I feel comfortable enough now to start telling people about what I'm doing here - in a more public way. It's a difficult position to be when you want to keep the idea to yourself until you know (or at least think you know) you can pull it off and getting attention and support for it. Ultimately, I'm going to have to get a lot of attention on this project for it to be able to do what I want.
Unfortunately, I don't have much confidence that the German people will respond well to this project. It's an unhealed land and people in a lot of ways. Forgiveness and the acceptance of forgiveness isn't evident to me - this is still a very taboo topic here.