Mt Evans & Squaw Pass Day Trip

Jeanne and I spent yesterday in the thin air of the Colorado mountains. The temp was 99F/38C in the city (Denver) and 50F/10C at the top of Mt Evans. It is 14,000 feet/4.000m above sea level. It started to sleet/slush/rain when we were at the top. It's the monsoon season, so you have to go early. We'll leave the studio next Saturday morning at 0600. That will give us several good hours of making photographs.
The place is stunning and mind boggling all at once. We drove the longest/highest paved road in North America to get there. The drive was fun! A lot of it looks like what I would imagine some distant planet might resemble. Very few plants or animals can survive at that elevation - no trees - only small plants and grass. It's brutal! Jeanne and I were climbing over over some huge rocks to do some photos and I was instantly winded. There's not much oxygen at 14,000 feet. It freaked me out a little bit. I need to remember to move slower next Saturday.
The Collodion was thicker and dried faster up there. The UV was off of the charts. I was making exposures of one to three seconds with my lens stopped down to f/7 and f/22 respectively. My face got sunburned too. I thought living at 5,200 ft was intense, at 11,000 and 14,000 the sun seems overwhelming. It would be nice to work with f/32 and f/64 that way, you could do several second exposures and make some really nice photographs. One more thing, I was using old Collodion, too. I'm not sure you could get an exposure there with new Collodion unless you had a shutter. Stop action Collodion photography at 14,000 feet! 
It costs $10 to enter - well worth every penny!
Quinn stunned at the beauty of Squaw Pass - 11,500 ft. photo by Jeanne Jacobson.

 Looking over Squaw Pass - 11,500 ft - unbelievably beautiful.

 

On the other side - Squaw Pass, 11,500 ft.

If you look close, you can see the mountain sheep eating at the patches of grass and relaxing as an (almost) snow/sleet storm comes in - it feels like Mars at the top.

Quinn and Jeanne at the top of Mount Evans!! Quick, get us some oxygen!!
Colorado has some Bristlecones that are almost 2000 years old! The Bristlecone pine tree is the oldest single living organism on earth. It has the ability to live up to 5000 years. This is in Goliath Park.

Ch-Ch-Ch-Changes and The 39-89 Project

It’s almost September! Let’s start with the most obvious change; the weather. The weather here has taken a turn for the cool. We must be entering Autumn (fall and winter are very mild here). Highs are 16-18 degrees Celsius (60s F) and lows are 8-10 degrees Celsius (40s F). It’s nice, I like it. It’s still raining a lot, but then again, when isn’t it raining here?

We’re thinking a lot about the big change coming for us and have our eyes and minds set on the northwest. I think that’s where we belong  -but who knows? Right now, it looks like we should be leaving Europe around the first of the year. However, I always say everything, and I mean everything, is subject to change.

The '39-'89 Project & Exhibition: Generating Ideas
I can’t really work on the Wet Collodion part of my project here (I can research and write but I can’t make photographs for it), so I’m experimenting with some paper negatives and setting up to do some Daguerreotype work. I’ve got the Daguerreotype stuff ready to go, but that will have to wait until I’m back in the States. It’s way too much to do here – too much as in expensive/hassle, too much. The Calotypes on the other hand, are very doable here.

My goal is to setup (individual studio/darkroom space) for all three processes in the States; I call it “The 39-89 Project: The First 50 Years of Photography”. 1839 – 1889, the first fifty years of photography; Daguerreotypes, Calotypes and Wet Plate Collodion. Each process has its own aesthetic and special place in history; I’ll offer workshops in each process when I return to America.

I want to write a piece at some point about why Collodion is so popular today and why the other two processes will never gain that kind of popularity. It’s written in history, however, I want to write a contemporary piece about it. I’ve found some interesting correlations to the digital movement and would like to share those ideas in an essay.

My exhibition in 2012 (in Paris at Centre Iris) will be large Wet Plate Collodion pieces, but I’m going to do an ancillary project (technical and historical) about this period in the history of photography. I’ll include Calotypes and Daguerreotypes. It will give context to the main exhibit and it will be educational and interesting (I hope). And, it will be relevant to anyone interested in photography today (that’s kind of the point, yes?). In a way, you could say I’m doing the technical and academic work while I wait to return to the States. This “break” has been a great time to generate ideas and experiment with some things. I needed this.

Across The Pond… And Back Again
We made a trip to the States this month and really enjoyed it. We didn’t enjoy leaving our daughter, Summer, behind (for college), but we enjoyed seeing our family. It was good to see everyone and we’re really happy for Summer. She’s all settled in at Weber State University, my Alma mater, and is doing great. Europe will always be a part of us and we will return often, but I’m ready to go home.

Coming Up: Daguerreotypes & Wet Plate Collodion Performative Lecture
We’ll be going to Belgium for some Daguerreotype work the first weekend in September and then the second week, we’ll be in Dresden for a Wet Plate Collodion Performative Lecture at the City Museum. I’ll be doing some commissioned portrait work there, too.

Kristallnacht: The Beginning


I really love this image (it will probably end up on the front of my new web site) - this was the first plate of the day. It's an 8" x 10" black glass Ambrotype shot with a small Jamin-Darlot (c.1864) lens - I like the "keyhole" effect this lens gives the image.

We visited Mainz, Germany today. It's about 45 minutes to the north of us. I made three wet plate collodion images there of the former synagogue. It was perfect weather and a perfect day for it.

The Germans were very friendly in Mainz. We had a paper ready to handout to them explaining what I was doing. There were a few very positive and encouraging responses; I was surprised. There were a few that stayed and watched as I went through the entire process and saw the final plate coming up in the fix. Really great stuff!

I am very excited about this project now; the results were fantastic today and I look forward to going out again in a few days to make more images. Jean and Summer were outstanding! I love you both! Thank you for all of your help - I couldn't do this crazy thing without you!


The memorial plaque - this plate is exquisite in real life. The details are amazing - especially the stones
and the relief of the old synagogue. This is an 8" x 10" Ambrotype on black glass.

 
Quinn exposes a plate as Summer rolls video.


Here's the setup: Toyota 4Runner and a portable darkroom!