Fallen Leaves

Today, I tried to take advantage of the beautiful weather here in Germany. It's late October and it's sunny and 16C (55F). Perfect weather for making plates.

I pulled out a new piece of black plastic (acrylic) and went to work. I mounted my Hermagis lens and stopped it down to a number six (6) Waterhouse stop. I'm going to make an educated guess here and say that would be about an f/30. Why? It's a 15" lens and the stop #6 is about .5"  - do the math.

Anyway, I decided I wanted to work on some kind of still life/landscape image. I chose to use the stopped down lens to show infinite (or close to it) depth and detail.

I chose to photograph our cherry tree. Cherry trees symbolize death, rebirth and new awakenings (among many other things including food and ornamental uses). Our cherry tree only produces fruit every other year. This year it didn't and I missed those delicious cherries (Kirschen).

Ever since I visited the Jewish Museum in Berlin, fallen leaves remind me of the faces in the piece called, "Fallen Leaves" - I did a 20 second video while I was walking on the "faces" - it was, loud and disconcerting.

 

I wanted to explore this idea of "fallen leaves" and yet show something resilient and strong (the tree trunk). So I setup this shot.

First, I took a jug of water and I poured it on the tree trunk. I knew it would help define the "texture/scars" on the trunk and make it dark. Water, or wet things, has/have an interesting relationship with Collodion. I really like the effect of something wet or something steel with Collodion (I think it's the reflection or sheen).

Next, I made a test exposure. It was way underexposed at 8 seconds. The next exposure, I went 16 seconds, still under and finally, after three plates, made this at 40 seconds.

"Fallen Leaves" - Cherry Tree, Viernheim, Germany

It's an 8x10 "Acrylotype" (made on a piece of black plastic). I'm happy with it. I love the light. It was early enough that this portion of my yard was still in the shade. I love how the leaves are the things that pickup, and reflect, the new morning light... and the trunk, standing tall and strong. It's surrounded with darkness and "things" coming out, or even reaching out, of that darkness. It's symbolic for me.

"Ich bin ein Berliner?"

My first impressions of Berlin were, "Ummm, this is Berlin?" In other words, I wasn't that impressed. It's a large city, some 3 - 4 million people. It's spread out and takes forever to get anywhere (by foot). The U-Bahn is good, but again, somewhat inconvenient. However, I think the biggest let down was the "industrial" feel of the place. I'm not going to kvetch about the entire trip or city, because there are some very good things in Berlin to experience.

 Suckin' the espresso!
The Jewish Museum Berlin: This is an amazing place. Moreover, we got to see an exhibit called, "Typisch - Klichees von Juden und Anderen" ("Stereotypes - Cliches of Jews and Others"). The show consists of common stereotypes about groups of people as well as out right racial and ethnicity issues. It's frightening when I think about all of the subtle racial and ethnic beliefs we all have. There were a couple of very moving/interesting pieces in the show. The first was "49 Jewish Noses" from Dennis Kardon. It was interesting to find the "nose" of Nan Goldin in this piece. She's a photographer that I like (and met once). When I met her, I was challenging her on her view, and what she had said about the work of Donna Ferrato. She said I was "belligerent". I thought that it was uncalled for at the time, but I my passion sometimes translates as aggression. Another piece that stood out was called, "You Don't Have To Be Jewish To Love Levy's Real Jewish Rye" by Howard Zieff. I bought the catalog/book.

"49 Jewish Noses" 

Anne Sprinkle, Tit Print

 
"A Bookend"


"You Don't Have to be Jewish..."

The museum is huge. You could spend days in it and not see everything. I had flashbacks of the Louvre when we were walking through it. It starts at the beginning of the Jewish history and works its way through the Holocaust. Daniel Liebeskind did an amazing job with the architecture. If you look at an aerial of the building is looks like a broken star of David.

Jeanne and Quinn The Memorial we were iin.
  
This is the memorial we were in (above photo)
those are olive trees growing on the tops of the
pillars - the ground is uneven and disorienting.

One place that was especially moving is called "The Holocaust Tower". Jean and I were the only ones in it for a few minutes. It's very dark and very cold. There is one bit of light at the top (way up there) and you can hear the outside world. It was eerie. When we tried to leave, I couldn't open the door (I was pulling and should have been pushing) it freaked me out!  There was a large room with metal "faces" called "Fallen Leaves" this too was very moving and eerie - I've uploaded a video here.

Inside the Holocaust Tower
When we were finished at the museum, we headed over to "Checkpoint Charlie" and "The Wall". It was a great day, and like all of our adventures here, will be indelibly burned into our memories!

Checkpoint Charlie: East Germany met West Germany

West Berlin - US Soldier photo.

 
"The 'real' still standing wall that separated
the East from the West - mind blowing history"

  
East Berlin - Soviet Soldier photo.

  
"Quinn and Jean in front of a piece of the Wall"