My Name In Hebrew from Rabbi Dov

Rabbi Dov While researching how my name is written in Hebrew, I was emailed this site, (The Hebrew Name) by my friend Zoltan (thank you!) in Budapest. Zoltan and his wife, Sherri, recommended that I find a Scribe, or sofer stam, and have my name written the right way! I couldn’t agree more, great advice!

Rabbi Dov pulled a piece of parchment and did what he does best, wrote my name in Hebrew. A name is a powerful thing. And when it’s a Hebrew name, even more so (IMO). I think it’s beautiful. Thank you, Rabbi.

Rabbi Dov and I had a conversation about my name, the Hebrew letters/script and briefly discussed some personal stories. Our communication will continue, he seems like a very gracious man. He is going to send me the parchment he wrote my name on, too. Update: I have the parchment framed with his letter hanging on my wall – very cool!

Rabbi Dov’s Parchment - “Yacobson” – Jacob was named by his father, Isaac and then G-d named him Israel. 
Digital Conversion - “Yacobson”

Viernheim Synagogue Memorial & Some Project Thoughts

I can only imagine what goes through the minds of the people watching as I make photographs in the small towns and villages here.

This morning I went out to re-photograph the Synagogue memorial in the village I live in, Viernheim. They moved the memorial (I call them gravestones - they always seem to be weeping) a couple of months ago. They also included a little sitting area and bench. It's actually a lot better.

As I setup and made preparations to make a plate, several people walked by and stared - I mean stared! One old German man, maybe 70 years-old, or more, almost tripped, as he was walking by staring. He wasn't watching where he was going. I said, "Achtung, Baby!" - I wonder if he got the reference to the U2 album, probably not.

I don't mind people watching. I'm a voyeur by profession and passion. The thing that I don't is like not knowing if they're just interested, or if they're thinking, "I would prefer that this guy go away." It feels like the latter, but I'm hopeful that it's the former.

The photograph I made this morning is gone. It made me sick, but I wiped it from the plate. This is the only "evidence" that remains of the Ambrotype. What if I made this whole project like that? What if there were no plates in the entire project, only non-tangible (digital) representations? It would be a lot like the subject matter, no?

A friend/colleague emailed me the other day asked me about my thoughts on impermanence, or ephemeral art. He's working on his M.F.A. and doing some really interesting things with chalk-screen transfers. His images are only there for a short time on a chalkboard - this theme has been explored by a lot of artists, but it keeps coming back to me, time and time again. It feels like I'm not listening.

Just as the Synagogues and people were "wiped away", I think that this method may serve the project well. I first thought about breaking the glass, destroying the images, or having Germans do that in a performance. After some thought, I decided no, that's too much. However, wiping these images  from the plates, and maybe even keeping the Collodion I wipe off as residue may be the answer I've been looking for.

You have to remember, these images are extremely beautiful when you're holding them in your hand. They're a "precious artifact" in a lot of ways.  They're also a lot of work to make - a big investment in many ways -  time, money, effort, etc. So destroying them and only keeping (digital) representations creates a sense of loss for me - a lot like how I feel when I see (memorials) representations of these beautiful Synagogues (and people) that were destroyed.

I'm going to seriously explore this some more. Right now, in this moment, I feel very strongly about it.

"Destroyed Synagogue Memorial With Apartments and Playground" 8x10 Black Glass Ambrotype - 29 March 2009 - 0923, Viernheim, Germany (I flipped this positive so you can read the text) 
Notes: The memorials seem to be "weeping" every time I photograph them. The background (apartment buildings, trees, playground, etc.) appear as a painting or drawing, unreal, if you will. The gravestone seems to be emerging from a black earth - terrible and foreboding. 

Shoah

I've watched a lot of films and read a lot of books about the Holocaust, or Shoah, over the years. However, I hadn't seen, "Shoah" by Claude Lanzmann. I want to travel to some of these places, especially Auschwitz-Birkenau, Chełmno, Sorbibor and Treblinka, and do some work for my project.

If you haven't seen it, you should - here's an overview:

Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since though only agreed to be interviewed by audio). His style of interviewing by asking for the most minute details is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects themselves show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive in well in many people that still live in Germany, Poland, and elsewhere.

"Shoah" by Claude Lanzmann

A good perspective on the camps, locations and where I live (red box).

Seligenstadt Synagogue in Wet Plate Collodion

Today, I made the image that will appear on the first page of my book (I think). The image shows the original steps of the Seligenstadt synagogue. These steps are the only thing left of the synagogue. It was burned on November 9/10, 1938 during Kristallnacht. If you think about the metaphor of stairs (especially ascending/descending) you'll get where I'm going with this.

The emptiness is what moves me the most when I'm making photographs where the mighty, vibrant synagogues once stood in these small villages. I'm almost trying to photograph what isn't there. It's very difficult to do. It's also very sad.  

A friend from Berlin, Jan, met us in Seligenstadt this morning. His mother lives there and his step-father has done an enormous amount of research on the Jewish community (that was) in Seligenstadt. 

After making a positive image and a negative image of the same scene (the steps), we (Summer, Jan and I) went for coffee and looked at the "stumbling stones" around the village. There was a significant Jewish community that lived in this village until 1938. It's the same story in all of these places. Jan had newspaper clippings from the Seligenstadt newspaper (from 1935) that showed a page of ads for office furniture, shoes and clothes, and in the middle of these "common ads" was another kind of ad that read, "The Jews are our misfortune" ("Die Juden sind unser Unglück"). Mind-blowing and very educational.

The last two images are the positive (8x10 Black Glass Ambrotype) and the negative (8x10). I'll make a POP print this week of of the negative.

Seligenstadt Synagogue Remains 
I wasn't sure about the light, being in a hole and surrounded with "red" and "yellow". 
"Where does the shadow of my hand fall?" 1100 hours, 4 second exposure. 
Pouring Collodion on an 8"x10" piece of black glass.  
Putting the "loaded" plate holder onto the camera.  
Processing the plate.

"Seligenstadt Synagogue Stairs" 8"x10" Black Glass Ambrotype (sold) 
8"x10" negative - Seligenstadt Synagogue Stairs. 
I'm going back to Seligenstadt next week. We're suppose to have a key to get into the Juden Friedhof (Jewish cemetery) - it was vandalized during Kristallnacht as well. Look for those images next week!

Thank you Summer and Jan. It was a great day. This is very important work, thanks for being a part of it.

German Town Nixes Kristallnacht Ceremony

The German town of Görlitz is refusing to allow its Jewish community to hold its own ceremony marking Kristallnacht.

After Kristallnacht. Instead, the only ceremony marking the 70th anniversary of the Kristallnacht pogrom will be held by the local Protestant church, which has traditionally focused on all victims of the Third Reich.

The small Jewish community had planned to bring a Torah scroll from Dresden into a newly renovated synagogue, which dates from 1909. It is the only synagogue to have survived Kristallnacht in the state of Saxony.

But the city insists that ceremonies must be secular and inclusive. The former synagogue was deconsecrated after the 1938 pogrom. Following its six-year renovation, the structure now has room for 230 guests.

"The city has canceled the entire event planned by the Jewish community and the Society for the Promotion of the Synagogue," which was to include several performances and speeches,  Alex Jacobowitz, cantor and chairman of the town's tiny Jewish community, told JTA.

He insisted that the Jewish community's program would be inclusive.

The Society for the Promotion of the Synagogue is a secular group authorized to hold ecumenical events in the building. It cooperates with the Jewish community. Now, only the ceremony run by the local Protestant church is still scheduled to take place in the building.

The city bought the synagogue from the remnant Dresden Jewish community in 1963, and then formally purchased it again from the Claims Conference after German unification, according to Jacobowitz, a musician who came from New York to Germany in 1991.

The approximately 30-member Jewish community has held services in a small sanctuary within the building for about a year, Jacobowitz said.

Story from JTA - http://www.jta.org/cgi-bin/iowa/breaking/110844.html

Kristallnacht Remnants Unearthed Near Berlin

A huge dumping ground for the destroyed remains of Jewish property plundered during Kristallnacht has been found north of Berlin by an investigative journalist.

The destruction from Kristallnacht. The site, which is the size of four football pitches, in Brandenburg, contains an extensive array of personal and ceremonial items looted during orchestrated nationwide riots against Jewish property and places of worship on the night of November 9 1938. It is believed the goods were brought by rail to the outskirts of the village and dumped on designated land.

Yaron Svoray, the Israeli journalist who made the discovery, said it was a happy coincidence that he had stumbled across the artifacts so close to the 70th anniversary of the pogrom, also known as the Night of Broken Glass. (The Full Article Here - from The Guardian)
Photo: Jewish shops laid waste on Kristallnacht in 1938. Battmann/Corbis

I'm headed to Berlin Friday (24th Oct), I would really like to check this out. I doubt I could get anywhere near it though. I'm not even sure they've released the exact location yet. Here's a video of Yaron talking about what he found.

Jesus Was A Jew

My goal in 2009 is to really concentrate on getting my project completed. By the winter of 2009, I want to be editing images for a book. That's my goal. In order to do that, I'm going to cut back on workshops (maybe do two next year) and get my technical writing and DVD material completed this year (in the next couple of months).

It was a good day today. Sunday and Germany equals no one bothering you about "what you're doing". Any other day, or any other time, I would have never been able make this image.

I find this image both ironic and symbolic. Ironic in the sense that Jesus was a Jew. Symbolic in the sense that Jesus was a Jew (and that He represents salvation and love). I find it kind of kitschy too - that's why I made it on a piece of plastic (black acrylic, I call it an "Acrylotype"). I made the image with an old Derogy lens. It's not big enough to cover the plate (8"x10") edge to edge, so it gives it that vignette. Vignettes make me feel like I'm looking through a keyhole or seeing something I'm not supposed to be seeing. I like the effect it gives of saying (visually), "LOOK HERE".  Images of Jesus on the cross always remind me of Serrano's work too. He made an image called, "Piss Christ" that everyone took out of context and misunderstood. I'll never forget it.

You'll see these kinds of statues in a lot of the Catholic states/counties in Germany. You'll also see a lot of crosses. And every village has a Catholic church in its center with its steeple stretching toward heaven.

Jesus Was A Jew

Art Is The Enemy Of The Routine

"Adoph Hitler Strasse" - Viernheim, Germany In my (ongoing and lifelong) pursuit of defining the meaning and  purpose of art, I've come across a lot of insightful and powerful quotes. Simon Schama said something so simple and brilliant that I felt compelled to share it with you here. He said, ""Art is the enemy of the routine, the mechanical and the hum drum. It stops us in our tracks with a high voltage jolt of disturbance; it reminds us of what humanity can do beyond the daily grind. It takes us places we had never dreamed of going; it makes us look again at what we had taken for granted."

Of course, this isn't definitive (in defining art), but for me, it defines an aspect of what good art can do and some of the purpose involved in making art.

There is something to be said for being "present" in your daily life. Present to the good and to the not so good. I believe artists are highly perceptive and extremely "present" in their daily lives (sometimes too present as they go mad or sink into depression). The subtle, unnoticed details are what tell the story. Artists are very good at picking up on those and sharing their opinions or views about them. If you think about all of the mundane and superficial information we are subjected to on a daily basis, few things are really valuable. Artists have an important voice in the world, I wish more people listened.