Wet Collodion Negatives Printed On Centennial POP

Here are a couple of prints I made today. I still have some "experimenting" to do before I fully commit to a "style" and "methodology" for printing wet plate Collodion negatives for my project. Today, I used Centennial POP and gold toned the prints. The "Broken Headstone" negative was intensified, "The Stairs" negative wasn't (but will be).

Cenntenial POP
This is the negative from yesterday (70th Anniversary of Kristallnacht) in the Seligenstadt cemetery printed on Centennial Printing Out Paper (POP) and toned with gold toner. It has amazing detail and is very beautiful when it's in your hand - this is a reasonable facsimile, I guess.
 

Cenntenial POP Detail

This is a detail of the broken headstone. This print looks really good. I may have wanted to tone it to a little cooler color, but I'm okay with it.

  

Cenntenial POP
You can see that the lack of contrast is a little bit annoying (although it does look like a painting and the color is quite nice). This negative has not been intensified, once I do that ,and then print it, it will have contrast. I can color the color, to some extent, with the toner. The shorter the time, the warmer the color, the longer the toning time, the cooler the color.

P.S.

Centennial POP is no longer made - sad, but true.

 

Seligenstadt Synagogue in Wet Plate Collodion

Today, I made the image that will appear on the first page of my book (I think). The image shows the original steps of the Seligenstadt synagogue. These steps are the only thing left of the synagogue. It was burned on November 9/10, 1938 during Kristallnacht. If you think about the metaphor of stairs (especially ascending/descending) you'll get where I'm going with this.

The emptiness is what moves me the most when I'm making photographs where the mighty, vibrant synagogues once stood in these small villages. I'm almost trying to photograph what isn't there. It's very difficult to do. It's also very sad.  

A friend from Berlin, Jan, met us in Seligenstadt this morning. His mother lives there and his step-father has done an enormous amount of research on the Jewish community (that was) in Seligenstadt. 

After making a positive image and a negative image of the same scene (the steps), we (Summer, Jan and I) went for coffee and looked at the "stumbling stones" around the village. There was a significant Jewish community that lived in this village until 1938. It's the same story in all of these places. Jan had newspaper clippings from the Seligenstadt newspaper (from 1935) that showed a page of ads for office furniture, shoes and clothes, and in the middle of these "common ads" was another kind of ad that read, "The Jews are our misfortune" ("Die Juden sind unser Unglück"). Mind-blowing and very educational.

The last two images are the positive (8x10 Black Glass Ambrotype) and the negative (8x10). I'll make a POP print this week of of the negative.

Seligenstadt Synagogue Remains 
I wasn't sure about the light, being in a hole and surrounded with "red" and "yellow". 
"Where does the shadow of my hand fall?" 1100 hours, 4 second exposure. 
Pouring Collodion on an 8"x10" piece of black glass.  
Putting the "loaded" plate holder onto the camera.  
Processing the plate.

"Seligenstadt Synagogue Stairs" 8"x10" Black Glass Ambrotype (sold) 
8"x10" negative - Seligenstadt Synagogue Stairs. 
I'm going back to Seligenstadt next week. We're suppose to have a key to get into the Juden Friedhof (Jewish cemetery) - it was vandalized during Kristallnacht as well. Look for those images next week!

Thank you Summer and Jan. It was a great day. This is very important work, thanks for being a part of it.

Ich War Ein Berliner Für Drei Tage

Berlin is redeemed.

The first visit I had to Berlin in April of this year (2008), wasn't very good (if you're real curious, look in April 2008 of this blog). It wasn't that I didn't enjoy it, I just didn't "get it".

Berlin is one of those cities that you have to know to enjoy it. I would say it's analogous to wine, it gets better with time. I'm not saying that three days in Berlin gave me the knowledge I needed to enjoy Berlin, I'm saying you can "piggy back" on friends that know the city, and that's what I did.

Jessica and Steven (hosts of the workshop), showed us around the cool, artsy areas of Berlin. And yes, some of them looked like they were hit with an "art bomb" (thanks to Mike Doughty). We visited Kreuzberg, Mitte, Prenzlauer Berg and of course, Wedding (where the studio was and our apartment was). These are small (not really small in size, but concept) villages within Berlin. They are distinct in culture, and flavor too. We had dinner at places varied as Indian-Thai, Lebanese, and Italian. Art and "the other" all around us, all of the time.

Berlin Synagogue We were walking down Oranienburger Str. and I look up and see these huge ornate gold balls/domes. I immediately recognize it as the New Synagogue. It's really huge and really beautiful. The Synagogue was burned during Kristallnacht (November 9, 1938) but the blaze was put out before much damage was done. The Nazis occupied the building in 1940 and desecrated the Synagogue by using it for storage. The Nazis also destroyed the Jewish cemetery in Berlin. The Synagogue sustained severe damage by Allied bombs during the war and for years it was left as an empty shell. Restoration began in 1988 and the Synagogue was reopened on May 7, 1995, the 50th anniversary of the German surrender. Like many of the Synagogues it is guarded around the clock.

Jessica and Steven were incredibly kind and were great hosts. We had a wonderful time enjoying the sights, flavors and sounds of Berlin. It's an amazing city if you know what you are doing.

Summer and I went to Berlin to do a workshop. Jessica attended one of my workshops in Barcelona and asked if I would do one in Berlin at her studio. Having had a marginal time in Berlin in April, I said, "yes!". She did a lot of work to make it happen. We had four people in the workshop (including Jessica). Claire from London, Jan from Berlin and Steven from Berlin. Jessica and Steven are studio mates and are American. Claire is British and Jan is German. We had a lot of fun. I really enjoy the diversity and the personalities in these workshops.

 

SOME WORKSHOP PHOTOS

The group cleaning glass.

Claire making a portrait of Summer. That's Steven crouching down (on the right). We had to open the windows for every exposure because the glass was UV protected - Collodion needs UV light to make a photograph.
A POP print (from a negative) I did of Jan. This was a 30 second exposure. I fixed in hypo, intensified with a very mild bleach and 15% AGNo3 solution and printed and toned on P.O.P. This was a demonstration on how to make negatives. His eyes in the print are striking!


Steven's boy, Jaden. He was a great little model for Steven. This is a 5x7 Black Glass Ambrotype. It's a beautiful plate, flaws and all.

Claire heats an 8x10 Black Glass Ambrotype to varnish it. This is another portrait of Jan. He was a great subject/sitter. This image was made right on the end of the UV for the day and has a very "dark" feeling - figuratively and literally - a very nice photograph.
  Jessica looking over the day's work.

  Steven finishes the varnishing of his portrait.

Summer plays us out at the end of the workshop as Claire, Jan and Jessica look at, and talk about the photos.
Thank you Jessica, Steven, Jan and Claire. I really enjoyed my time in Berlin. I'm looking forward to a return visit.

Thank you Summer. You're a wonderful wet-head assistant and a talented, intelligent, beautiful and creative human being. I couldn't have done it without you. I love you.

The Netherlands Workshop

I just returned from The Netherlands (some call it Holland). I did a two day workshop there at the Pieter Brueghel Art and Culture School. Jeroen de Wijs set it up and made it happen (thanks Jeroen!). He was a great host and the people at the school were wonderful too.

There were six attendees/students and we got to spend all day Saturday making 4x5 black glass Ambrotypes and Alumitypes. I don't do these workshops for money, and even if it were profitable, there's a far more important and rewarding motive to do these. To see people eager to learn a new way to express themselves and then for them to get their hands on the material and make something within a few hours of learning about it is amazing to me.

It doesn't matter if the images are perfect or the subject matter is interesting, the process and the interaction between people is the part that's most important to me now. I think I may be maturing in a new way - I feel less and less anxiety about the work and more and more desire to connect with the people. When was the last time you had the chance to be involved with a group of people sharing experiences, ideas, art, food, coffee and culture? I'm very blessed!

Thank you Summer and Jean for helping make these things possible. Summer assisted me Saturday and shot most of these images.

 

The Dutch Collodionista Group - 8"x10" Black Glass Ambrotype - Veghel, The Netherlands 
"Francie" - a demonstration portrait.
Quinn talks about "salted Collodion" - the introduction to chemistry.
Quinn lectures on the fundamentals of the Wet Plate Collodion process.
Let's talk about lenses - Petzvals, Rapid Rectilinear, and everything in between. 
The students getting started - let the Collodion flow!
Geert-Jan pulls Jereon from the cyanide! 
Cor's self-portrait.

Quinn looking for help from above!

Francie's portrait of Quinn - the Thinker (and very approachable)

Coming through the veil -

Heating and varnishing plates.

One of the most interesting plates of the workshop - Geert-Jan waited a bit too long before droping this plate in the silver bath.
The Thinker gets a coat of varnish. 
All setup to open "the Show" Friday night.  
Having a coffee in the breakroom. 
Draining varnish from "The Thinker" -  
Some photographs from Rudd, a workshop student.
"Let's talk about this plate". 
Using God's light making portraits.
This was the view from our room. The hotel we stayed in was amazing! It was in a little village called, Boerdonk, The Netherlands. The owners were very friendly and had a wonderful little dog called Lennon, as in John Lennon.
The hotel was very nice!

Time Goes So Fast… Make It Count!

Well, here we are beginning our third (read: 3rd) year in Germany. I can't believe it. Where does the time go? It must have something to do with the knowledge that our time is finite here. Wouldn't that apply to all human beings in relation to life? I digress.

Summer and I have been working hard on my video series called, "The Wet Plate Collodion Workshop DVD Series". I'm excited by all of this. I'll close this chapter of my life out with two new books, two DVDs, and a new web site. I'm going to try to launch, publish, produce all of those by the end of the year.  All of the proceeds from the sales of these books and DVDs will go into an account for Summer. She will be in college in a couple of years and we thought this would be a great way to get her some additional cash/tuition/car/etc. money. She is doing all of the editing on the DVDs and proof-reading/editing the books for me. She's working hard and earning her money.

I have two workshops planned for September and October. One in Vienna, Austria and another in The Netherlands. Those are confirmed.  I also have one tentative for Berlin in September and one hanging in October for Mallorca, Spain (an island west of Barcelona).  A lot of stuff and a lot of fun! That's how I like to roll ;-)  here's a frame exported from the video:

A screenshot from one of the videos in the series.

Next year, 2009, will be devoted completely to my personal work (other than a possible workshop in Finland). I'll be finished with all of the writing, teaching, and video making and will devote myself completely to my project. I still spend a fair amount of time working on my "Kristallnacht" project. It's difficult here and things move very, very slow.  I do have four images of the project showing in San Francisco right now. They are in a show called, "Into the Ether: Contemporary Collodion Work" at RayKo Gallery. I hear the crowd was large and impressed by the work. That makes me happy. However, the German people are the ones that need to see this work. And, moreover, think about it. I'm working on it.