Collodion Portraits

This is one of those posts where I should be elated, but I'm not (so much).

I prepared all week to make some images for the Getty Conservation Institute today. The Getty invited me (and others) to be part of their project called, "Preserving the Chemical Photography Era". I got the invite months ago, but between my book and DVD, workshops, Wet Plate Day, and life, I haven't had the chance to do the work. However, I almost succeeded today.

One of my many weaknesses is perfectionism. Not on everything, and certainly not in every situation. But making plates for the Getty Institute tends to bring the proclivity for "perfection" out.

The irony is, I'm working in Wet Plate Collodion photography, "perfection" doesn't exist. In fact, I've written many times about how I love the imperfection of the process - how do I reconcile that? The project isn't even about what I'm trippin' on - it's really kind of a "geek" project. A cool geek project, I might add.

They are analyzing different photographic (chemical) techniques and documenting how the image was produced. It's for future generations to identify images they have no clue about. When they discover the 5000 glass plates that I will have stored in my attic, they'll know what they are looking at and how they were made. Cool stuff.

My dilemma is a personal one; I don't feel that these images are worthy of the Getty. Primarily because I scratched the surface on #2 and it looks like shit now. I was so pissed, I almost had an anxiety attack, I'm serious. I flipped out. It was THE perfect image. I wanted to brush a mark off of the top of the glass and my finger left a huge mark on the plate, I was sick and wanted to scream. It took me two hours to get the image and it was gone in a fraction of a second. Even through I ruined #2, I think I still may put it in my book. What do you think, would you? I like #1, I distressed (forgive me) it on purpose, I really like his expression and "presence" in it. The piece of Collodion gone from the bottom right side doesn't bother me at all on that one. 

Anyway, I'm not sending them to the Getty, but wanted to share them with you. I have to say, they had the potential to be some of the best images I've ever made. Maybe next week.

#1 Whole Plate Black Glass Ambrotyoe (6.5"x8.5") May 9, 2009 - Viernheim, Germany
#2 Whole Plate Ambrotype (6.5"x8.5") May 9, 2009 - Viernheim, Germany Later broken and then purchased in Paris.

Puppet Shows & German Neighbors

The world is a strange place and so much of it is relative. In other words, we seek truth, we want truth, and sometimes we even believe we have truth, but most of the time it’s not truth at all, only our interpretation of truth. (Please keep in mind when I say “truth” I’m referring to "reality" – mostly).

I have a funny and relevant story to tell you now that I’ve laid that ground work. I’m writing it down, because I want to refer to it when I see something and assume that I know what it is without inquiring or doing research about it. It will force me to ask questions and do the research before I make up my mind as to what it is I’m seeing, reading or listening to, I hope.

In Germany, you’re always being watched. At least to some degree. If you have 80 year-old German neighbors, like we do, most likely, everything you do that can be observed, will be observed. I have my own opinions on why this is, but it would defeat the point I’m trying to make and would take much longer to write about than I have time for (I have to be in a certain mood and a certain frame of mind to "blog" – I just can’t "turn it on" whenever I want).

Anyway, our neighbors, the Knopps (Ka-Nops) let our landlord know that they were very upset about us putting some plastic in the wrong recycle bin. We have four, yes four, recycle bins: paper, Gelbe (yellow sack, for plastic, wrappers, etc), Bio (for coffee grounds, food waste, etc.), and Abfalle (yard waste, leaves, grass clippings, tree limbs, etc.).

The Knopps inspect what’s in the bins and keep a tight reign on recycling waste. Sometimes, we make mistakes, but not often. On a side note, about a month ago, not far from here, a German man beat his neighbors to death for putting the yard waste in the wrong bin – true story. The Knopps also told our landlords that we need to spend more time on our yard and sweeping the street on Saturday morning (German ritual – to stave off chaos).

Now you have a good sense of what our neighbors are like (which is typical here) let me tell you the rest of the story. The Knopps had one last thing to tell our landlords about us. Most every weekend, you can find me, and a lot of times Summer, making photographs (Wet Plate Collodion) on our winter garden. The Knopps can see what we do – so I would imagine they’ve watched us make a lot of photographs. But going back to my original point, what the Knopps watch is not two artist’s working in their studio making photographs, they see the American neighbors putting on puppet shows, yes, I said puppet shows. They mean this in a derogatory way, too. Does that blow your mind? I can understand why they “see” that. The camera is always facing the opposite way from their view and every time someone goes under the dark-cloth it must look like a performance as the sitter is looking on and sometimes holding props or wearing some kind of costume. I can’t imagine what the dark-box represents – maybe that’s where we make the puppets? Can you imagine what they’re thinking as they are watching the puppet show from the crack in their window blind? Wow! I was blown away and literally started laughing when I heard this and it’s been on my mind since. I now refer to making Wet Plate Collodion photographs, as a puppet show - “Hey Summer, do you want to do a puppet show today?” 

Happy Wet Plate Day - I Hope Your Hands Are Black!

It's a beautiful day today and we made the most of it. Today is Worldwide Wet Plate Collodion Day 2009! We're honored and pleased to be a part of it.

Summer and I made plates most of the day and was lucky enough to have a couple of sitters for some portraits. We had a lot of fun. Summer knocked it out of the park with her Converse shot. She'll have to tell you what it's about - consumerism and being a teenager, I think.

As a group (Collodionistas), we decided to set a day aside to honor the man who invented the process - Frederick Scott Archer. We also want to honor the process itself - however ones sees fit to do that (usually by making some photographs). Unfortunately, today is Archer's death date. He died 157 years ago! We don't know his birth date, if we find out, we may change the date we do this on.

It's easy to forget what role photography has played in our lives and in history. Frederick Scott Archer played a significant part in making photography what it is today. We tend to take it for granted - pour a few plates and that might make you think twice - that's not a bad thing, either (ether).

If we really wanted to honor Archer, we would all be making 8x10 negatives and printing Albumen - maybe next year!

Here's some of what we did today:

 

"Jürgen, der Klempner" - Whole Plate Alumitype - by Quinn 
 

"Schweinehaxen" - Whole Plate Alumitype - by Quinn 
 

"Schweinehaxen" - burnished & cropped - Whole Plate Black Glass Ambrotype - by Quinn (I love the texture of the glass showing through)  
 

"Converse From Berlin" - 5x4 Alumitype - by Summer 
 

Wet Plate Collodion Day 2009, Montmartre, & Budapest

"Anna In Austria" - Workshop 2009

There are a lot of times when I feel confused and frustrated about how to manage or organize events and opportunities in my life. Sometimes, I feel like I’m running out of time and other times, I feel like I haven’t maximized the opportunities I’ve been given. It’s always a lesson about being present to your experiences and your life. We’ve been living a hundred lifetimes over the last three years here. It’s been the most rewarding and enlightening time of my life.

If I was a politician and I could pass one bill, it would be called, “HB 2009 The Americans Abroad Act”. It would state that every American must live abroad for at least one year. They would be given a small stipend but they must also contribute to the community that they live in and earn money. The bare essentials would be provided, nothing more. And they must also document their experiences (journals, blogs, photography, art, etc). I would appropriate some of the stimulus package money to make this happen. It would be one the best investments America could make in all aspects of the word investment – financial, moral, spiritual, and cultural, etc. This would change the world, I would guarantee it.

I have some really cool things happening that I wanted to share with you. First, this Saturday, May 2, 2009, is the Worldwide Wet Plate Collodion Day. People from all over the world will be making plates Saturday to honor F.S. Archer, the inventor, and to celebrate the process itself. Over the next few weeks, I’ll gather the images and publish a catalog of the work, and the event, that people can purchase. The idea is to raise money to put a headstone on Archer’s grave.

On Sunday, we’ll be back in Frankfurt (Höchst), weather permitting, making portraits and showing work. The Montmartre Am Main event is always a good time.

I just received word that I’ll be going to Budapest, Hungary at the end of May to do a Wet Plate Collodion workshop. This will be a great trip. We’re driving so it will be a 9 hour trip each way (1000 km each way). We’ll go through Germany, Austria, Slovakia, and then into Hungary. Which is better, Buda or Pest? I hear Buda is mountainous and Pest is urban. With 2 million people there, it’s a substantial city. We'll be spending the Hungarian Fornit - 100 HUF is .45 cents USD (today).

And finally, we’ll be traveling to Paris, France in June. There is a huge photo fair and art fair in Bièvres, just outside of Paris (15 minutes). Jeanne and I went once in 2007, it was a lot of fun. We met some great people. This time, we’ll be in good and familiar company – our friends and colleagues from all over Europe are converging at the fair. It’s going to be a lot of fun. I’m trying to arrange for a space next to the French Alt Photo people to setup my dark-box and chemistry laboratory. I want to do some demonstrations and make some portraits. You couldn’t ask for a better audience.

"Blithe Spirit" April 24, 25, & 26, 2009 Mannheim High School

This weekend has been consumed with Summer's play. It's called, "Blithe Spirit", by Noel Coward. The cast performed very well. It's a play that is "dialogue heavy" and lasts almost three hours! Summer was the hit of the show - she got a lot of laughs and her performance was brilliant! She played Madame Arcati.

Blithe Spirit is a comic play written by Noel Coward which takes its title from Percy Bysshe Shelley's poem "To a Skylark" ("Hail to thee, blithe Spirit! Bird thou never wert"). The play concerns socialite and novelist Charles Condomine, who is haunted by the ghost of his first wife, Elvira, following a séance held by the eccentric medium and clairvoyant, Madame Arcati. Elvira makes continuous attempts to disrupt Charles' marriage to his second wife, Ruth.


The play was first seen on the West End in London in 1941 and set a new long-run record for non-musical British plays of 1,997 performances. It also did well on Broadway later that year, running for 657 performances. Coward adapted the play for film in 1945, starring Rex Harrison, and directed a musical adaptation, High Spirits, on Broadway in 1964. It was also adapted for television in the 1950s and 1960s and for radio. The play enjoyed several West End and Broadway revivals in the 1970s and 1980s and was revived again in London in 2004. It returned to Broadway in February 2009. (copied from Wikipedia).

Summer as Madame Arcati - eccentric and funny!
Summer and her best friend, Jacqueline (playing Ruth).
Madame Arcati basking in a moment of her own greatness.
Madame Arcati discovers the maid (played by Nads) can rid the house of the ghost wives.
Madame Arcati giving Ruth the lowdown on how to get rid of Elvira.
A photo from the original play - from left to right: Arcati, Ruth and Elvira.  

Today is Yom HaShoah

Yom HaShoah is a day of remembrance for the six million Jewish people who died in the Holocaust, and a range of events take place. In Israel, it is a national memorial day. On the evening beforehand, there is a state ceremony at the Holocaust Martyrs' and Heroes Authority, Yad Vashem. At 10am on the day of Yom HaShoah, air-raid sirens are sounded and people stop what they are doing to think of and pay respect to those who died. Places of public entertainment are closed and flags on public buildings are flown at half mast.

Jews who were classified as "not fit to work" waiting in a grove outside Crematorium IV before they were to be gassed.

Progress With My Project: Portraits From Frankfurt

India, Romania and (the former) East Germany, and Russia represent some of the faces I photographed yesterday in Frankfurt.

Kathy Schaefer organized the Montmartre am Main in Höchst, a village that's part of Frankfurt, Germany. We meet right on the river (Main) - artists from all over come to paint, draw and of course, make photographs. Kathy's idea is a great one - she understands the difficulty and the politics of galleries and the general public's reluctance to visiting an art gallery, let alone interact with the artist. I applaud her, it's a wonderful thing and I'm honored to be a part of it.

The Frankfurter Neue Presse had a journalist there and did a little story about the event. If you can read German, you can read the article here. It's kind of a weird photo they ran, but it's okay. People in Frankfurt are learning that there are alternatives to galleries and that artists aren't a bunch of recluse weirdos (or are we?).

It was beautiful yesterday. Bright blue sky, sun and about 20C (68F) degrees. The breeze from the river keeps that area especially cool - it's very nice. We setup next to the old castle wall and work. Summer came with me and helped out a lot! She setup and kept the workflow going. She also varnished all of the plates (did an excellent job, too!). We started about 2PM. Around 3PM or 4PM, there were a lot of people hanging out and looking at everyone's work. Since I'm working on my project, and I have willing sitters standing in line to have their image made, I draw quit a bit of attention.

It's great to see so many lay people blown away by this process. It excites me and encourages me to "evangelize" the process and photographic history even more. The younger people don't even know what film is, let alone, what Wet Plate Collodion is. There were a lot of them there yesterday just waiting to see the next plate. I thought that was very cool.

I've started making photographs for my project without sharing a lot of information about what I'm doing. Who I choose to photograph, how I position people or compose the image, the props I use (or not), how I execute the process: flaws, no flaws, size of image and even the substrate I use. Yesterday was a testament to that methodology working for me.

I'm seriously considering an entire body of work on 4x5 aluminum. I may experiment next time (2 weeks from now) with the Whole Plate (6.5" x 8.5") size to get some of that vignette I love so much. I had excellent results with aluminum yesterday - I wasn't that excited about using it, but this worked out very well! How much play do you think 30 or 40 small aluminum images would get in a world of 40"x60" color digital prints? It makes me laugh to think about it!

Here are a few plates from Höchst. I don't speak Bengali, Romanian, Russian or even that much German, so you can imagine how difficult this was to do without a head-brace (How do you say "Hold still, don't move, this will take a while). Most of the sitters would walk away after I focused and composed! Just another dimension/difficulty to making plates.

Everything is 4x5 Alumitypes shot with my Derogy (Petzval) Portrait lens wide open against the castle wall.  

"Calcutta, India - Indian Woman" 
Dresden, East Germany
Bucharest, Romania 
Bucharest, Romania 
Romanian Children 
The Frankfurter Neue Presse Article (no, it's not a hot dog) 

Wet Plate Collodion Positives & Negative From April 11, 2009

I'm suppose to be editing video for my DVD today. I'm not in the mood. After I get done with this post, I'm going to go make another espresso and sit on the porch and watch the day pass.

It's gorgeous today. It's sunny and almost 26C (~80F) degrees. That's my maximum comfortable temperature. If it gets past 26C I don't like it.

Summer and I had a good time yesterday making photographs. She's got it down. She helped me with the negative work and made several positive images on her own. I'll go out on a limb here and say that she's probably the youngest Collodionista in the world! I'm sure I'll get some email if she's not. I'm trying to encourage her to teach the process when she starts college next year. It would be a great part time gig for an undergraduate student, not to mention what doors it may open for her.

Here are a few plates from yesterday's effort (as always, click to enlarge):

 

"Summer's Fan" - Whole Plate Alumitype
"The Three Summers" - Whole Plate Alumitype 
"Westmalle Trappist Beer" - 5"x7" Negative Toned/POP
Sometimes, we run out of room on our mantle for glass and metal!