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Studio Q Photography

Exploring Human Behavior and Death Anxiety Through Art
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“The Struggle” - a toned Kallitype (Nicol’s process) from a Whole Plate paper negative (Greenlaw) on Clearprint paper.

The Weight of the World

Quinn Jacobson September 8, 2022

We all have things that weigh us down. Things that feel heavy on our hearts and heads. Sometimes they’re very personal. Family, relationships, finances, jobs, and life, in general, can be difficult to navigate at times. Some of the things that weigh on us are more general, or “big picture”. The big world events, historical events, political events, and third-world countries with terrible problems can be things that we feel helpless to change.

I struggle with the latter quite a bit. The “big picture” problems. I see the world, and this country specifically, repeating history. I see things that are very disturbing. Americans are very divided today and are looking for scapegoats.

When we, as people, look for “the other” to blame our problems on, things get bad. I see a lot of this going on today. That’s what my project is about; how death anxiety creates situations for humans to commit terrible acts. The knowledge that we are going to die motivates all of our activities, good and bad.

For me, art has always been a way to confront, address, or deal with issues that concern me. So when you struggle with problems, you can create something that addresses those concerns and maybe find some catharsis, or relief through making the art or even in the act (physical) of making it.

In fact, the physical act of making art does that for me. The content, ideas, or concepts are, of course, very important too. The final image or piece is what I consider the residue or evidence of this process. One of the reasons I work in these old, arduous photographic processes is to fulfill that physical need in creating art.

Technology is great. We all depend on it and it can be positive in a lot of ways. However, when it comes to art, it doesn’t work for me. I can’t sit at a computer and generate images and press a button to print them. It’s empty, mechanical, too perfect, too impersonal, there’s nothing physical and there’s nothing that connects me to the work.

I know there are people that really enjoy the digital stuff, computers, printers, etc., and feel satisfied making work that way. I just don’t connect. The old processes and the physical act of creating are where I find catharsis, relief, and some satisfaction that what I’m doing matters and has significance in the world.

“The Struggle” - a Whole Plate paper negative (Greenlaw) on Clearprint paper.

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