I’m working hard to dial in what I want to do when it comes to making my prints. I know I vacillate a lot on what I want these images to end up as; i.e. what kind of printing process I want to use and how they are presented in the end. It’s not a question of cost or time or anything that might be inconvenient. It’s simply a matter of aesthetics.
As of today, I think I’ve committed to the toned Kallitype print. The reason for this is twofold; first, and foremost the color, or color control. I am enamored with the red tones I can get. They are representative of this area, the Utes called this area, “Red Mother Earth.” And they really have a dream-like, historic quality.
Some of the prints I’ve made lately remind me of Edward Curtis’s POP prints. Warm and gorgeous. So, bottom line is that this workflow allows me to stay consistent and achieve what I want for this project. It goes to show that you always want to remain open in the discovery phase of a project. Being dead-set on something can really pull the work down and possibly even make it fail. When I started this project, almost a year ago now, I never thought I would end up printing toned Kallitypes from my negatives. Never say never!