• blog
  • in the shadow of sun mountain
  • buy my books
  • photographs
  • paintings
  • bio
  • cv
  • contact
  • search
Menu

Studio Q Photography

Exploring Human Behavior and Death Anxiety Through Art
  • blog
  • in the shadow of sun mountain
  • buy my books
  • photographs
  • paintings
  • bio
  • cv
  • contact
  • search
×

This is a combination of printing techniques. The text is from a Half Plate wet collodion negative. It’s printed as a Palladium print (Palladiotype) with hot potassium oxalate 195F (90C) for the warm tone. I wanted to produce a weathered “leather” look. It worked well. I think I’ll end up using this with the “fuzzy” text.
The print (Plate #104) is a gold-toned Kallitype (old school) from a Whole Plate wet collodion negative.

Handmade Book: In the Shadow of Sun Mountain

Quinn Jacobson August 27, 2022

Now that I’m approaching 120 negatives/plates of this work, I decided it was time to fit in some prototype work for the book. Get a plan together so I’m ready when the project is complete. I got a taste of what it might look like and feel like. I also tried some gold toning on the old Kallitype process.

Here you see all of the prints and a sheet of vellum on my cutting table.

Since this book will be made of original prints, I wanted to include the text in some non-digital, non-offset web press way. I suppose you could argue that I printed the paper from a word file and that breaks the chain. However, the print is a photograph from a wet collodion negative. If my handwriting was better, I would write the text by hand. For now, this is an interesting and non-commercial printing way to address this work. And I think it looks very nice. It fits.

The negatives for making the prints. I used lithograph tape to clean up the edges. These are wet collodion negatives. The text is on Half Plate.

If you can imagine 40 handmade prints, each with a page of text. The text won’t be exhaustive, maybe a paragraph or just a sentence. In between the print and the text is a sheet of vellum bound in to protect both pages. That makes the book 80 pages plus the 40 sheets of vellum. And I know that I’ll have four or five prints of text for my statement. Let’s say 85 pages total plus the 45 sheets of vellum. That’s a considerable body of work.

I really like this “fuzzy” text. How did it happen? The litho tape raised the glass off of the paper just slightly. I can control how much, or none at all (see the other example). This was my first test. This is an old school Kallitype and no toning. I like the other output but with this text. Will run one tomorrow and see.

What a beautiful book this will be!!! I’m beyond excited! It motivates me to work hard before winter comes.

I hope to make a total of five books. I will keep them as uniform as possible, but the nature of the work makes each one unique, and “one-off”. Art wrapped in art. Yes, the content will be the same, but my hand will vary. It will make the work human or unique. I like that.

← New Book Prototype Work: Palladiotypes & Text ImagesLooking At Photographs: Plate #112 and Plate #113 →

Search Posts

No results found
Archive Block
The page connected to this block was deleted. Double-click here to select a different page, or check the recycle bin for the deleted page. Learn more
Post Archive
  • Adventures
  • Spotlight
 

Featured Posts

Featured
May 11, 2026
Glass Bones Going to Print
May 11, 2026
May 11, 2026
May 2, 2026
Wounded Plates
May 2, 2026
May 2, 2026
Apr 27, 2026
The Creative Mind & Mortality Podcast - S1E12: The Collapse of Meaning and the Search for Repair
Apr 27, 2026
Apr 27, 2026
Apr 26, 2026
"Yan Yana" (Side by Side) Exhibition
Apr 26, 2026
Apr 26, 2026
Apr 24, 2026
Experimental Work
Apr 24, 2026
Apr 24, 2026
Apr 22, 2026
The Creative Mind & Mortality Podcast S1: Glass Bones E11: The Rupture Field Theory
Apr 22, 2026
Apr 22, 2026
Apr 20, 2026
The Creative Mind & Mortality Podcast – S1 E10: The Fragile Architecture of Meaning
Apr 20, 2026
Apr 20, 2026
Apr 16, 2026
My Book: The Final Stages of Glass Bones
Apr 16, 2026
Apr 16, 2026
Apr 13, 2026
Terror Management Theory: The Mechanics Beneath Belief
Apr 13, 2026
Apr 13, 2026
Apr 11, 2026
To Buffer or Not to Buffer?
Apr 11, 2026
Apr 11, 2026