• blog
  • in the shadow of sun mountain
  • buy my books
  • photographs
  • paintings
  • bio
  • cv
  • contact
  • search
Menu

Studio Q Photography

Exploring Human Behavior and Death Anxiety Through Art
  • blog
  • in the shadow of sun mountain
  • buy my books
  • photographs
  • paintings
  • bio
  • cv
  • contact
  • search
×

I’ll be preparing paper for the Oil Transfer process for the next week or two. I’d like to get 15 - 20 sheets made. This is Arches Platine paper and Revere Platinum paper. I’ll also do some tests with HPR paper.

Oil Transfer Process - A New Adventure In Printing

Quinn Jacobson June 14, 2022

"SELF PORTRAIT" DATE 1897 BY ROBERT DEMACHY (FRENCH 1859-1936). PROCESS NOT KNOWN. CURRENT LOCATION: MUSÉE NICÉPHORE NIÉPCE, CHALON-SUR-SAÔNE, FRANCE

Robert Demachy (1859–1936) was a French Pictorial photographer of the late 19th and early 20th centuries. He is best known for his intensely manipulated prints that display a distinct painterly quality. He was influenced by the Impressionist painters and spent most of his time making photographs and developing his theories on photography, both technical and aesthetic. He wrote thousands of articles and several books on photography and was a strong proponent of techniques used to manipulate a photograph such as the gum bichromate process, oil transfers, and scratching of the gelatin.

“Do not say that nature being beautiful, and photography being able to reproduce its beauty, therefore photography is Art. This is unsound. Nature is often beautiful, of course, but never artistic ’per se’, for there can be no art without intervention of the artist in the making of the picture. Nature is but a theme for the artist to play upon. Straight photography registers the theme, that is all - and, between ourselves, it registers it differently” Quoted in Robert Demachy 1859-1936: Photographs and Essays. Bill Jay 1974 (pp. 28-29)

Demachy Oil Transfer print.

I’ve started the process of exploring the Oil Transfer process. What is it? Basically, it’s a Rawlins Oil print that’s transferred to a piece of paper via a press. I’ve been working in the Rawlins Oil printing technique for a few years now, and really like it. However, I think the transfer process will give me some added benefits for the final print. It’s a very rare process, too, not many have or are practicing it, I like that aspect too.

Richeson 11” Press

The only new piece of equipment I’ll need is a small press. I think I’m leaning toward the Richeson Baby Press. It’s perfect for what I want to do. Stay tuned, let’s see what happens!

← Rawlins Oil PrintingIn The Shadow of Sun Mountain Prints →

Search Posts

No results found
Archive Block
The page connected to this block was deleted. Double-click here to select a different page, or check the recycle bin for the deleted page. Learn more
Post Archive
  • Adventures
  • Spotlight
 

Featured Posts

Featured
May 2, 2026
Wounded Plates
May 2, 2026
May 2, 2026
Apr 27, 2026
The Creative Mind & Mortality Podcast - S1E12: The Collapse of Meaning and the Search for Repair
Apr 27, 2026
Apr 27, 2026
Apr 26, 2026
"Yan Yana" (Side by Side) Exhibition
Apr 26, 2026
Apr 26, 2026
Apr 24, 2026
Experimental Work
Apr 24, 2026
Apr 24, 2026
Apr 22, 2026
The Creative Mind & Mortality Podcast S1: Glass Bones E11: The Rupture Field Theory
Apr 22, 2026
Apr 22, 2026
Apr 20, 2026
The Creative Mind & Mortality Podcast – S1 E10: The Fragile Architecture of Meaning
Apr 20, 2026
Apr 20, 2026
Apr 16, 2026
My Book: The Final Stages of Glass Bones
Apr 16, 2026
Apr 16, 2026
Apr 13, 2026
Terror Management Theory: The Mechanics Beneath Belief
Apr 13, 2026
Apr 13, 2026
Apr 11, 2026
To Buffer or Not to Buffer?
Apr 11, 2026
Apr 11, 2026
Apr 6, 2026
Worldviews: The Stories That Hold Us Together
Apr 6, 2026
Apr 6, 2026