God, The Holocaust & Aerosol Cheese: Things That Are Difficult To Understand

Cheese in a can - cheddar flavor! Who are you, and who am I? Isn't that what we're trying to figure out? It's frustrating when things like money and ego get in the way of our understanding and joy. How is it that we seem so confused about what's important? Is it fear? Does fear keep us from love, peace, and joy in our lives?

It’s difficult to comprehend most things in life, especially the big things. Things like God, the Holocaust, and aerosol cheese (okay, aerosol cheese isn't big, but it's difficult to understand). It’s difficult, because most of us never give enough thought to anything to even start to understand it, let alone make any effort to research it or read other’s thoughts on it. We seem apathetic and lazy. We, mostly Americans, seem obsessed with the superficial and the innocuous, things that won’t mean anything in six months, or a year from now. I don’t believe that we don’t care or that we’re lazy, I think it’s because we’re afraid. We’re scared. We’re afraid to know. We’re afraid of getting old. We’re afraid of getting fat. We’re afraid of going grey. We’re afraid that we’re not smart enough, good looking enough, thin enough, rich enough, strong enough, desirable enough, healthy enough, funny enough, never enough, enough, etc. etc. We’re afraid. And we do crazy things to hide and disguise that fear so we never have to face it.

Think about the pressure we feel to live up to other people’s expectations. Like the pressure to buy a big, beautiful house that we can’t afford or a nice, new car that we don’t really need. Things that we put a lot of “ourselves” into, at the very least, things that we anchor some portion of identity to. Think about what that means – saying that a big house or a new car is “me”, or that they represent “me”, is repulsive when you think about it. However, the need to say, “Look, I’m good enough, see!” is overwhelming and powerful.

How about the power of having money, that’s a big one. It’s sad, you could say you scrubbed toilets for a living but got paid $250,000 a year for it and people would be asking, “How do you qualify for that kind of job?” and, “Where can I apply?”.

We seem overly eager and very willing to sell out and prostitute ourselves for money. We’ll work at a job we hate for 20 or 30 years and be miserable every day, but we never really give our passions or our dreams a chance. Why is that? Do we still believe what our parents told us growing up? “You should be a doctor or lawyer; those professions earn a lot of money!” They said that because they were close enough to the “Great Depression” that they still carry all of that angst and anxiety and aren’t afraid to share it with us. Just because they never followed their dreams, doesn’t mean we shouldn’t follow ours.

I’m tired of being afraid. It’s back in the air now, credit crisis, bad economy, etc. We moved from the fear of terrorists to the fear of having no job. I’m tired of it. I want peace and joy back into my life and I want to follow my passions and dreams.

Pursue your passion, not your pension!

The Transports

Train tracks in DachauMy friend, Caron, gave me a great idea for my Kristallnacht project. She suggested that I make images of train tracks and stations that were instrumental in moving Jews to the concentration camps. "The Final Solution" could not have happened without the railways, without the trains making the mass transport possible. The Germans sent 30,000 Jewish men to Dachau and Sachsenhausen on Kristallnacht by way of trains.

The photo on the left is one I snapped at Dachau one year ago (December 2007). I remember thinking, "These are the rails that carried all of those people to their death". It was profoundly sad and visually striking to me.

This is a very insightful and interesting idea on many levels. It resonates with me simply for the fact of how much we us railroad metaphors and how they take on a whole new meaning here in Germany. For example, "derailed"or "derailing", "track wreck", "just the ticket", "off track", "one track mind", "railroaded", "fast track", "express", "letting off steam", "blowing your stack", "tunnel vision", "bells and whistles" and "end of the line". I see trains here in that kind of context.

The transports were usually cattle cars. At times, the floor of the car had a layer of quick lime which burned the feet of the human cargo. There was no water. There was no food. There was no toilet, no ventilation. Some boxcars had up to 150 people stuffed into them. It did not matter if it was summer, winter, boiling hot or freezing cold. And an average transport took about four and a half days. Sometimes the Germans did not have enough cars to make it worth their while to do a major shipment of Jews to the camps, so the victims were stuck in a switching yard - "standing room only" - for two and a half days. The longest transport, from Corfu, took 18 days. When the train got to the camps and the doors were opened, and everyone was dead.

Nazis Spread The Hate Around

I'm a lot more sensitive to these kinds of acts now. It's always been disgusting to me, but it's taken on a new level. It makes me want to become a full-time activist.

It's irrelevant who this kind of hate is directed toward. In the end, it all comes back on humanity. If there's anything to learn from the Holocaust (Shoah), (and for the record I don't think there is) it's that we're all responsible for these kinds of things. Indifference and ignorance being the greatest crimes. I ask myself everyday if I'm part of the problem, or part of the solution.

Destruction of a Muslim cemetery in Paris. PARIS — A Nazi swastika symbol is seen among desecrated tombs in the Muslim section of the Notre-Dame-de-Lorette military cemetery near Arras, northern France, Monday Dec. 8, 2008. Officials say that several hundred tombs of Muslim soldiers who fought in World War I, have been desecrated in northern France in an act the French president denounces as "repugnant racism". The desecration comes at the start of the Muslim festival of Eid al-Adha. There is no translation for the letters which mark the tombstones.(AP Photo/Michel Spingler).

Vandals desecrated at least 500 tombs of Muslim soldiers in northern France on Monday _ an act President Nicolas Sarkozy denounced as "repugnant racism."

The desecration near the town of Arras appeared timed with the start of Eid al-Adha, the most important holiday in the Muslim calendar.

The administration for the Pas-de-Calais region said the damaged tombs were in the Muslim section of the Notre-Dame-de-Lorette cemetery, a well-groomed burial ground for World War I soldiers. Some had swastikas scrawled on the tombstone, others had lettering whose meaning was unclear.

There are 576 graves in the Muslim section of the cemetery, where more than 30,000 soldiers are buried.

Sarkozy, in a statement, said the "abject and revolting act" equates with "repugnant racism against France's Muslim community" and insults the memory of all World War I combatants.

Inspect Your Worst, I Mean Wurst

German "platform toilet" - inspect your WurstPlatform toilets. These are toilets that allow you to inspect your "Wurst" (Sausage) - translation: your shite. Germans are infatuated with them. I first saw them in Berlin. I thought, "Wow, this is weird, I'm shatting on a porcelain platform." It reminded me of seeing a pile of dog shite on the sidewalk, just completely out of place!

This is from Portnoy Stammtisch on the topic of "poo platforms". It was "World Toilet Day" on November 19. No kidding.

To most newcomers to this fine country, the contraption is an enigma. Who would want a shelf, just inches from your backside, that collects your business while allowing you to revel in your own stench? Not even a mercy flush is much help with this thing. And, to make matters worse, it's almost impossible to get rid of what you want to get rid of without the manual assistance of a toilet brush.

Germans, perhaps tired of having to defend this terrible device to perplexed outsiders, usually just shrug if you bring it up.

It wasn’t until I’d lived here for several years that I finally found one who I believed would give me a straight answer. In a newsroom of mixed nationalities, we were blessed with a German colleague of questionably fervent patriotism (let’s not use the adjective “brown” in this context, okay?) with an amazing knowledge and love of Teutonic culture. I would never have managed to squeeze out a question about the platform on my own but emboldened by my other English-tongued colleagues, I let it fly.

"It’s so you can inspect your poo. You can tell if you’re eating right," he told us in all seriousness. Rolf (name changed) was über-German – I've only ever met Dutch or Swiss who can speak with less irony. Actually, I’m being too kind. What he really said was: “It’s so you can inspect your Wurst.”

Building A Better Mouse Trap, German Style

When we were in Vienna, I was listening to my podcasts of, "This American Life" (TAL). It's one of my favorite shows. It's both funny and full of crazy, interesting information. You know, the stuff that makes the you ponder the world and everyone in it. I couldn't believe what I heard that night listening to a segment called, "Building a Better Mouse Trap".

The host, Ira Glass, talks with Andy Woolworth, an executive vice president in charge of new product development at the world's largest manufacturer of mousetraps, Woodstream Corporation, in Lititz, Pennsylvania. About once a month, Andy is contacted by someone who thinks he's invented a better mousetrap. He and Ira review some of the ideas that seemed particularly bad. The one that caught my attention is especially bizarre. I clipped it out of the program - this is an MP3 of it (1.2MB give it a minute to download into your browser). Get your head around that one!

Let The Video Podcasting Begin!

"I can't be everywhere, all the time! Or, can I?"

I'm going to immerse myself into online education. Not as a student, but as a teacher. I have this (brilliant?) idea to teach Wet Plate Collodion via video podcasts. And it's not only to educate, but to also build community.

I've fallen big-time for audio podcasts over the last few years. I have a whole heap of them that I listen to almost daily. Ira Glass, "This American Life", Joe Frank's radio show, Bill Moyers, Bill Maher's HBO piece, NPR bits and pieces, etc. I'm amazed at the amount of information we take in. Sometimes, I think my head is going to explode. There's never a dull moment in the 21st century, is there? Remind me to tell you about the Ira Glass story about building a better mouse trap - OMG! You'll freak!! I digress.

My theory is that if we use this technology the right way, everyone wins. Not to get off into politics, but look at the presidential election. It was all about Barack's presence online and especially the email campaigns his staff organized and executed. I for one, am very happy they could reach so many and that so many responded, as I said in a previous post, we have a chance! I digress, again.

I'm home for a while now and will be finishing up my new book and completing the video workshop series on Wet Plate Collodion. I'm being quite anal about the text and information in these publications. I'm trying real hard to listen to what people want to learn and write about it in an articulate, "easy" way. The last book (2006) was "sky-blue" stuff... nothing to go off of but instinct and my own experience, it was just the basics. This time, I have a lot to say about the history of the process as it applies to my work and, moreover, all kinds of new, modern gadgets and tricks to use in the process to make it easier. I'm psyched about it.

On January 1, 2009 (or a few days before), I'm going to allow access to a large amount of video data on the Wet Plate Collodion process. This will be the very first complete workshop online. It will be a series of "on demand" videos broken down into chapters. Subscribers will be able to view them anytime they login, jump to any part and watch them as much as they want. It's going to be uber cool!

It's about time, really. I get at least 4 -5 emails a week, sometimes more, asking about resources to learn the process. I hope to accomplish several things by doing this. One of the big ones is to quickly and easily point people to a high-quality, cost effective way to learn the process. This will be so sweet.

There are a few places in the United States where you can learn the process, but more and more, people are using the web to gather information and communicate about it. There are a lot of people that learn it on their own now. This is in large part due to the massive amount of information online now. My Wet Plate Collodion forum board has over 500 members and almost 15,000 posts. It's posted to daily. My point is that it's about time I do this. I know that it will be successful and fulfill a huge need out there. Not to mention, it will be fun as hell to do.

So, if you are interested in learning the Wet Plate Collodion photographic process and have $99 bucks, on January 1, 2009 go to The Contemporary Wet Plate Collodion School and signup! Within a couple of minutes you'll be watching videos and learning the process! See you in class!

Jewish Cemetery Vandalised With Pig's Head & Blood




Gotha, Germany Jewish Cemetery
Pictures of a shocking Nazi hate attack on a Jewish cemetery in the town of Gotha have horrified Germany.

 

A bloody pig’s head was found stuck to the middle of a Star of David on the graveyard gate at 5.30am yesterday. A sheet next to it, smeared with blood, held a chilling message: "6 million lies".

 

Nazism and hatred toward Jews (and people that are "different") is alive and well here in Germany. For those that think otherwise, you are completely misinformed. As this Bild article says, there were over 17,000 of these kinds of crimes committed last year here, 18 involving cemeteries. To desecrate cemeteries and disrespect the dead like this, speaks volumes to me. In a way, I feel sorry for these uneducated, misinformed souls. I would relish the opportunity to teach them about the history of the Jewish people - that would be wonderful.  

 

These kinds of things motivate me to "turn up the volume" on my project. I want to read about people that are trying show the truth and create discourse to help people learn the truth. The other side doesn't seem to get fair play on this topic. We'll see if we can change that.



This is a link to the Bild article (in English). Thank you Caron.
Credit: By OLIVER LÖHR and JAN MEYER

It just never stops....

Former E. German Synagogue Defaced
November 19, 2008

BERLIN (JTA) -- A newly renovated synagogue in the former East Germany was defaced with anti-Semitic graffiti, police reported.

It was the third act of vandalism against a Jewish site reported in the former East Germany in the last  two days.

According to reports, perpetrators painted anti-Semitic statements and illegal symbols in yellow on the front door of a synagogue in Goerlitz covering more than a square yard. The vandalism was discovered Monday.

Reached in Vienna, Alex Jacobowitz, the chairman of Goerlitz’s small Jewish community, said he would comment after seeing the police report.

The synagogue in Goerlitz, originally dedicated in 1909, was the only synagogue in the state of Saxony to survive the Kristallnacht pogrom of 70 years ago. It was reopened to the public following extensive renovations on the anniversary of Kristallnacht, Nov. 9.

Also Monday, two Jewish cemeteries in the former East German state of Thuringia were found defaced with red paint. In one case, the bloody head of a pig was hung on the cemetery’s iron gates. Police reportedly were able to retrieve evidence at the cemeteries in Gotha and Erfurt.

Welcome To Wien (Vienna), Austria

Rolls Royce in Wien!We arrived in Wien last night. It was a longer drive than expected due to a 2 hour Stau in Germany. However, we survived.

We have a nice apartment right off of Simmeringer Hauptstasse. The S-Bahn and U-Bahn are close and we explored downtown Vienna a little bit tonight. I saw where Hilter was rejected from (Academy of Art) and made me wonder how the world may have been different had they let him in here - great novel/screenplay waiting to be written. 

The workshop went very well today. One more day (tomorrow) and we'll wrap it up. The participants are motivated and off to a grand start! There are four students; Fritz, Reinhard, Stefan and Zoltan. Three are Austrian and Zoltan is from Budapest, Hungary.

Hypo versus KCN!

Remember, here in Vienna, I'm less than an hour from Bratislava, Slovokia and about 2 hours from Budapest, Hungary. I would like to take a week off and just go!

These are images from the workshop today. Showing the difference between sodium thiosulfate fix and potassium cyanide fix - amazing!

 

A sampling of the workshop plates.
 

 

Reinhard Reidinger

Wet Collodion Negatives Printed On Centennial POP

Here are a couple of prints I made today. I still have some "experimenting" to do before I fully commit to a "style" and "methodology" for printing wet plate Collodion negatives for my project. Today, I used Centennial POP and gold toned the prints. The "Broken Headstone" negative was intensified, "The Stairs" negative wasn't (but will be).

Cenntenial POP
This is the negative from yesterday (70th Anniversary of Kristallnacht) in the Seligenstadt cemetery printed on Centennial Printing Out Paper (POP) and toned with gold toner. It has amazing detail and is very beautiful when it's in your hand - this is a reasonable facsimile, I guess.
 

Cenntenial POP Detail

This is a detail of the broken headstone. This print looks really good. I may have wanted to tone it to a little cooler color, but I'm okay with it.

  

Cenntenial POP
You can see that the lack of contrast is a little bit annoying (although it does look like a painting and the color is quite nice). This negative has not been intensified, once I do that ,and then print it, it will have contrast. I can color the color, to some extent, with the toner. The shorter the time, the warmer the color, the longer the toning time, the cooler the color.

P.S.

Centennial POP is no longer made - sad, but true.

 

The 70th Anniversary of "Kristallnacht - The Night of Broken Glass"

Today is a very important day for me, and for a lot of other people, too. It's the 70th anniversary of Kristallnacht.

Quinn making the exposure for a negative in the Seligenstadt Jewish Cemetery.

The Story

Over the last 2 1/2 years, I've spent a lot of time researching, reading, talking to people and making photographs about this event. Specifically, I've been making portraits and photographs of sites where something sacred was destroyed or people were murdered. Over the next 2 years, I'm going to continue to do the same thing. My goal is to have a body of work (when I leave here) that will communicate the feelings, knowledge and information that I've acquired in my time here as it relates to "otherness", specifically being Jewish in Germany in the middle of the 20th century.

In a perfect world, I would have wanted to have a show hanging in a gallery today somewhere in Germany about Kristallnacht. I didn't know that was almost an impossible thing to do. Maybe next year, I'm not even sure about that though. I wondered what I could do beyond burning a candle and saying a prayer (nothing wrong with that).

Quinn photographing the two headstones that weren't destroyed on Kristallnacht.I was in Seligenstadt (it means "blessed city") last week and wanted to photograph the Friedhof (cemetery) but didn't have access. You need a key, and in order to get a key, you need to write a letter to people in Frankfurt explaining why you want access. Why all of the bureaucracy? Because this cemetery, along with the synagogue in Seligenstadt was destroyed on Kristallnacht. And, believe it or not, there are still people today that want to do bad things to these places and to these people. There's still a lot of bad feelings and hatred toward Jews here. I don't blame them for wanting to know who wants in and why. The short story is, that I wrote the letter and got access.

 Friedhof - Seligenstadt, GermanySo, today, on the 70th anniversary of Kristallnacht, I was in Seligenstadt making photographs inside the cemetery. I was trying to honor both the place and the people that suffered and died there. The cemetery was destroyed on 10 November. The stones were either destroyed or taken away and used in other construction projects. Some were stored in a basement just a few houses from the cemetery. The cemetery was then turned over to the horses and cows as a grazing pasture. Can you imagine? It upsets me just writing this. 

As I was making images today, there was an old German man that approached me and started telling me about his experience. He was 11 years-old during Kristallnacht. He told me that "today is the 70th anniversary". I told him that's why I was there. He also told me that the perpetrators that destroyed both the cemetery and the synagogue "got away with it, they were never held accountable and they spent their lives in Seligenstadt and no one ever said anything else about it." He went on to say, "they were in church (Catholic) every Sunday just like everyone else." He was (or at least acted) upset. He said that the Germans that attacked the Jews of Seligenstadt and carried out Göbbles wishes that night/morning are all dead now. However, none of them, not one, was ever held accountable for their actions as the old German man said. They weren't SA or Nazis either (at least not in uniform). They were the (average) Germans citizens from Seligenstadt. This was the rule, not the exception, for Kristallnacht. It's simple math, there weren't enough of Hitler's (official) thugs to do all of this. To make it happen, on the scale that it did, the (average) Germans got involved. People today, tend to think that Hitler and all of his thugs marched into every little village and murdered, beat, raped, and deported all of the Jews and destroyed all of their property. The truth is much more frightening than that, a lot of times, it was their neighbors.

"Hebrew Headstone" 8"x10" Black Glass Ambrotype There was a tour guide taking a group of Germans around Seligenstadt showing them the Jewish history in the city. Until the 1930s, Jews had been in that village since the 13th century, and sometimes, in significant numbers. The Germans today in Seligenstadt are very kind and they are very open to discuss their history and the Germans role in it. They are the farthest thing from Nazis.

I got a lift when the tour guide requested that all of the men in the group have a head covering. She explained (in German and as much as I could understand) that it was to show respect for the dead and God. It was the strangest thing in the world to see a German man putting on a kippa/yarmulke. Wow! it blew my mind, I just stood there grinning.

The Photographs

The images I made today, especially the broken headstone, sum up the emotions and feelings I have about this event and this place. It's broken, that's easy enough to see. Shall we talk about it being broken? Shall we act like things are okay now? It's mysterious and complicated too. Like these images, it is a bit out of place and out of time. It's disturbing and nagging. I feel like it begs to be examined, talked about, and revealed for what it is. This is what I feel these images do for me. They act as a catalyst, a place to start discourse - something to talk about. That's all I can hope my work does. And if it does that, I've succeeded beyond my wildest dreams.

Quinn holding the wet Collodion Negative of the Hebrew Headstone. I apologize for the less than perfect reproductions here, but you can get the idea of what I did. I made three 8x10 plates today. It was raining, cold and I didn't feel 100% either. I had to do this though and I'm glad I did. I made two Black Glass Ambrotypes and one negative. As I mentioned in the last post, I'm mostly concerned with making prints. Hopefully, Tuesday, I will make prints of both of the Seligenstadt negatives. I'll post them if I do.

One more thing, there was a journalist from the Offenbach Post doing a story on me. He shot a lot of photos of me and Jan (thank you!) gave him a lot of important information about me, the project and the process. He seemed to really, really dig it. It was a lot of fun, in that context. He had me posing and holding images, my camera, etc. I'm looking forward to seeing what he does with the article. I hope to get a little more attention and maybe a show here next year - we'll see, it's a different world here.

Thank you, Jan and Summer. I couldn't have done this without your help and belief in this project. It will pay off, trust me.

Quinn processing a plate in the darkbox, Summer reading a magazine on contemporary German photography and Jan snaps this photo.
Armin Wronski (newspaper) waiting as I make an exposure.
Armin having me "pose" for a "proper" newspaper photo. No plate/plateholder, all fake!