We are getting very close to having a completed, functional darkroom. The electrical is completed and all of the plugs and lights work great. I’m running off of a solar panel system - it’s called an EcoFlow. Great unit! The ceiling is insulated and drywall is completed. That’s a big job for two people to complete. We did end up getting a drywall lift, A 4’ x 8’ piece of drywall is a big piece to hold over your head almost 9’ - not happening. So, I’m glad we took an extra day to drive to the nearest (bigger) town to rent that piece of equipment. I’ll do another update soon, for now, we’re really close to being finished!
Photographic Experiments: My List
Greetings!
I hope this note finds you healthy and happy. We are doing well and enjoying the beautiful fall weather and beautiful scenery here in the mountains.
You’re probably reading this because you’re interested in what I have planned now that my darkroom and studio are almost finished. I have a list of experiments that I want to accomplish before I start my new project. And if you’re into historic photographic processes, I bet you’ll find it interesting.
First things first, in that order. Starting next year (maybe a bit even this year) I want to make a new body of work. I plan to make mostly landscape work (The Red Earth Project) but am not going to limit myself or “box myself in” on anything, so I’ll just keep it open. In order to make the work, from a technical standpoint, I want to experiment with several different processes for making glass negatives. I’ve spent months going over 19th and 20th-century photography literature on my Studio Q Show LIVE! on YouTube. Every Saturday, for over a year, I’ve presented technical information on the Wet Collodion process and many other processes and variants. I’ve been doing the show for years, but have been doing the weekly show for 15 months now.
I’ve concentrated on “finding the perfect process for making negatives” - or searching for different processes to accomplish that. This will be the basis of these experiments. Normally, I would just pursue the project in the Wet Collodion process, but I want to push the envelope with this work - do something unique, hence my research and experiments. The old-timers had something special going on with their negatives and prints. You’ll never see anything today that can compare to the work made in the 19th and early 20th centuries I want to “find” their secrets! And now, I can work full time on it to make it happen!
My goal is to make Rawlins Oil Prints on glass. In other words, the negatives that I make will be used to print (positives) on glass. The Rawlins Oil process is beautiful. You can see some of my experiments from 2020 here. I know what my final product will be, the question is “how do I get there?”
So, what are the experiments going to involve? Here’s a shortlist (if you’ve watched the videos you’ll get a better grasp of what these mean).
1. Sutton’s Iodizer Only Negatives (Method #1) - August 7, 2021
2. Sutton’s Bromo-Iodized Negatives (Method #2) - August 14, 2021
3. Sutton’s Albumen Printing (with Method #1 Negatives) - August 21, 2021
4. Sutton’s Dry Plate Processes - With Tannin and Gum Arabic - August 28, 2021
5. Long’s Albumen on Glass - September 25, 2021
6. Towler’s and Photographic News Albumen on Glass - October 2, 2021
7. Monckhoven’s Collodio-Albumen on Glass - October 9, 2021
8. Mr. Madd’s Collodio-Albumen on Glass - October 16, 2021
9. James Mudd’s Collodio-Albumen on Glass - October 30, 2021
10. James Reilly’s Salted Paper & Albumen Book: Arrowroot Salt Prints - November 13, 2021
There are a lot of little ancillary tests and experiments I want to do as well. For example; Sutton’s washing and resensitizing the wet collodion plate for increased sensitivity, Estabrooke’s ideal collodion (viscosity), and how it takes on the iodides as well as some developer additives; i.e. gelatin. It should be fun, entertaining, and very enlightening!
Wiring, Insulation and Drywall Next
We’ve had very good weather here. Highs in the 60s (15-20C) and mostly sunny. Very nice working weather. We’re getting ready to do some electrical work today and finish the ceiling joists in the darkroom. Then we’ll finish insulating and then paint it. Only a week or two left, depending on how many days we take off to do other things. We still have to put our gate up (Ghost Controls) and close the greenhouse.
I think we may start shutting the greenhouse down today. Not completely, but the tomato, squash, cauliflower all can be culled. We are going to compost the plant (remains) and soil for next year. We’re starting a large compost bin that we can add to and use from year to year. Next spring, we’ll build two raised beds for the greenhouse and have some floor space for potted plants. It really surprised me how well everything did this year considering we had a late start and all. We learned a lot and even got to reap quite a lot of vegetables. I can’t even imagine what next year will bring.
The Studio and Darkroom Coming Along...
We’ve been working on getting the darkroom built. I had to wait for the lumber delivery because I ordered some long 2x4s and a bunch of sheetrock - 32 sheets. I didn’t want to make two or three trips to Colorado Springs, Colorado - 2 hours plus for each trip, so I had it delivered. It worked out well.
Tomorrow, we’ll stand the front wall with the turn-door or darkroom spin door in it and put the top plate on all the way around the structure. We have to put 20 sheets of drywall in the room before we stand the last wall as well as my darkroom sinks. We can’t fit that in through the door or studded walls.
I’m really excited to have this up and running. I have so many experiments to run and processes to test for my next project. I’m in search of the PERFECT NEGATIVE, or the process to make it. I also want to share on my YouTube channel what these look like in real life.
I’ll be working almost full-time in 2022 on the “Red Earth” work. Other than some knife-work. I would like to get a nice piece of that project completed next year. This darkroom (and studio) will allow me to do that. I will have some very unique plates from it too. I plan to make OIL ON GLASS (with some color), so they will be Whole Plate (6.5” x 8.5”) glass plates made with the negative and the Rawlins Oil Printing process. I want to frame them with Ponderosa Pine from our property. They should be very unique and very beautiful. Stay tuned! Some really great stuff coming!
The Making of Trevor's Knife October 2021
Hello, Trevor,
Your grandfather commissioned me to make you a custom blade. I wanted to share the process with you. Some still photos and some videos are below. This is a 5 - 1/2” Damascus Skinner (blade side - a little over 9” total) Damascus steel blade. Damascus steel is made by stacking different high carbon steel together and forge welding them. This is 1084 and 15N20 steel. When you etch the blade in Ferric Chloride, the pattern of the weld shows. It’s really beautiful and very strong.
Stacked and welded steel ready for the forge.
Our Fire, Garden, and Food (Our Diet)
Greetings! I hope this note finds you happy and healthy. We are doing well. We still have nice weather up here (and will for a while). It’s cooling off at night high 30sF(3C) low 40sF(8C) and sunny during the day and 70F (21C). We had a really beautiful summer and a great start to Autumn.
We sold our other property up here this week. We lived in it while we built this place. We are on our final projects before winter on our property. I’m starting the build-out in the studio building. I’m building a darkroom (18’ wide and 10’ deep). The rest of the area will be studio space and areas for processing prints. We’re putting up a solar-powered gate (12’) on the entrance of our property, too. The system is called, “Ghost Controls” - it will be convenient and secure our property. Sometimes, you get people hunting or looking for property and they just drive down any dirt road to see “what’s there”. We’ve only had it happen once or twice. This will be a great solution all the way around.
Our garden is providing us some food. It’s really nice. to walk to the greenhouse and pick your favorite vegetables to eat. They taste so much better than anything at the store! Jeanne and I have been eating a very low carbohydrate diet and only eat once a day (OMAD) - One Meal A Day. This allows us to “fast” for about 18-20 every day. Your body starts a process called autophagy and repairs or heals itself from any damage. You also drop blood sugar very low, eliminating insulin and inflammation. All very healthy things for your body. We’ve been doing this for a few years. No sugar, high-fat, and medium protein. 70% fat, 20% protein, and 10% carbohydrates (the good ones). No processed foods - no cans or boxes. Fresh vegetables, fresh (organic) grass-fed meat, etc. We drink water and coffee (espresso). An example of a meal we eat; Bratwurst, two fresh tomatoes (from our greenhouse), a mozzarella cheese “chip” and horseradish sauce and spicy mustard. And, of course, a double shot espresso with heavy whipping cream. Jeanne and I haven’t eaten out at a restaurant or had a meal outside of our home in many years - many 5 years or so - long before COVID. It’s a great way to save money and a lot more healthy.
We are “breaking in” our wood-burning stove. Super nice! They need to be conditioned before you burn a big fire in them every day. You start with a small fire, then a medium, and then a big one! It cures the paint and gaskets. We’ll be ready for winter! See photo above!
Inch By Inch...
You’ve heard the saying, “Inch by inch, life's a cinch. Yard by yard, life's hard”? That’s how you have to approach what we’ve done here. No HUGE steps or biting off more than you can chew (so many analogies, huh?). Slow and steady. Everything from saving money to planning and planning again. We’ve done really well with maintaining our sanity (for the most part) and making all of this happen. We can now see the light at the end of the tunnel. In other words, we’re almost finished. And that’s a good thing!
Have a Listen To Andrew's Podcast About Photography
Wow, am I excited to present episode 49. It was an absolute honour to work with the master of wet collodion, Quinn Jacobson. If you search for wet collodion online you basically see Quinn’s book and his videos, articles, etc. Not many people have published and helped us the public learn about this historic process.
We interview Quinn and discuss so many things, so yes it’s a long one (we talked for hours actually)!
But this podcast does contain discussions on:
Combat photography
Pixelography + rise of digital
Machine learning
Constraints are good
Photography is not art
Leaving your mark
Art changes the world
F.S. Archer, Daguerre + Talbot
Importance of 1851
Quinn’s tattoo
Family time
The spectrum of light + UV
Tattoo removal with wet plate
Tim Berner Lee revived wet collodion
Choosing your genre
Night of broken glass
Failure is good
iso/aperture/shutter speed need reasons
Quinn has literally just released his latest version of his book “chemical pictures” which helps you learn the technical aspect of wet collodion. He is currently doing a special edition of 300 copies which has an extra chapter (listen to podcast for more). At the time of the interview he had already sold over 200 so these are selling very fast and you will never see this limited work.
RANDOM QUESTIONS
Of course, a man of Quinn’s intellect soars through our random questions, so find the relevance of Kevin Costner and tooth fairies.
TIMINGS
0 – quinn’s background
7 – digital revoluiton
11 – off grid + future of photography
31 – mr archer
37 – entry to wet plate
42 – living in europe
45 – uv light/spectrum
58 – revival of wet collodion
61 – story + meaning of work
67 – mistakes + troubleshooting
72 – quinns new book
77 – random questions
89 – critique/feedback by quinn
https://phlogger.co.uk/tooth-fairies-kevin-costner-massacres-with-quinn-jacobson/
Garage In a Box
Have you ever heard of a “Garage In a Box”? Neither had I. We are using the “real” garage (attached the house) as a bladesmith/blacksmith forge and shop/wood shop. It’s almost 700 square feet and felt it was a waste of space to park the truck in. So what was the solution? The Garage in a Box!
It’s 12’ x 20’ x 8’ (3,66 x 6,0 x 2,4 meters) or 240 square feet. Plenty big enough for our truck and eventually an ATV. These are very popular for rural places where you have a lot of land and maybe want to park your tractor or RVs out of the weather but don’t want to build another building.
We got the frame put together today. We’re excited to get the “skin” on it and finish it in the next few days.
Making Progress.... It's September, 2021!
Greetings! I hope this note finds you healthy and happy.
We are making progress on the final steps of our building/homestead journey. We’re getting ready for Autumn! It’s a beautiful place here every season, but fall tends to show how gorgeous the change to winter can be.
We saw two baby bears (cubs) from our bedroom window the other night (at 02:18). We have a motion light on the north side of our house and two big windows. The light came on and woke us up. We looked out and 20 meters away, two cubs walking along headed to the meadow. We assumed Momma Bear was ahead of them. The light came on and one of them stopped and stared right toward us for five or ten seconds. It was surreal, and at two in the morning it took a while to get back to sleep.
We own a shipping container (see photo above) we used for our household goods storage - as well as the studio/darkroom and the forging equipment. We finally got that emptied and moved onto our property. Not only moved, but leveled as well. We’ve started filling it again with our “long-term” storage items. Such an important thing to have. It sounds crazy, but at 2,700 cubic sq feet of storage, it saves time and money (not renting a storage unit).
So, what’s next?
1) Complete the deck - estimated completion date: 1 week!
2) Finish moving items from the house and studio/darkroom into long-term storage (shipping container) - 3 or 4 days
3) Start the darkroom build-out. - 2-3 weeks!
4) Split more firewood ;-) Ongoing!
Our deck is progressing!
And finally… See how our garden grows!