The Royal Academy of Fine Arts - Ghent, Belgium

I was invited to do a Wet Plate Collodion Perfomative Lecture at The Royal Academy of Fine Arts in Ghent, Belgium.

Thanks to Willem Vermoere, Saartje Van de Steene and Thomas Weynants the turnout was great. I would guess there were 50 or 60 people in the auditorium.

The space was wonderful. An old lecture area that was used to dissect cadavers in 80 or 90 years ago. The students could sit and watch the professors/doctors slice and cut without obstruction.

I wasn't cutting bodies up, however, I was dissecting the concept of photography and questioning what it is today and why we shoud care about definition and intent.

There were three sections of seating in the lecture hall. It felt like I was praying the whole time. Looking up, scanning the audience and looking toward the heavens. It was cool.

Willem took us on a tour of the facilities. It was impressive. Beautiful spaces, studios and WET darkrooms. Yes, WET darkrooms. God bless you!

I asked what it costs for a student attend - he said about 600 Euros a year! America needs to wake up. I'm from a country that can afford to educate their people, provide medical attention and we do neither without charging exorbitant fees and/or creating lifelong debt. It's sad. It seems that the powers that be are out to create classes - keep the people that can't afford education in the dark, ignorant and afraid. And when they get sick, let them die. Again, it's sad.

As an American in Europe, I can see we have a lot to learn about all of this. Call it whatever you want to - education and health care should be available to everyone. I mean everyone!

Ghent is a beautiful city full of very friendly people. I wish we could have stayed longer, but we are winding down now and had to get back to Germany to attend to other obligations.

Thanks to Saartje for the photos! If I can get someone to send me some photos or videos of the plates I made that afternoon, I'll post them.

Quinn preaching to the crowd. They are actually looking at my slide show.

The slide show - it was much bigger than it looks - my dark box, lights, etc. all there, too.

There were three sections of seating - mostly all full - a great crowd. That's Thomas on the right.

Jeanne cleaning the plates - the best assistant you could ever ask for. We have fun doing these!

Making the exposure of Erick - this was a very nice plate - 8x8 Black Glass Ambrotype.

Daguerreotypes in Belgium

René's Mercury Pot DesignJeanne and I made a trip to Belgium over the weekend. It was very nice. The Belgian countryside is beautiful. I'll miss the small European villages; quiet, clean, great food and drink and wonderful people.

We were invited to René Smets' house to talk and to make Daguerreotypes. René is building me some Daguerreotype equipment; fuming boxes, buffing block, gilding stand and mercury pot. His designs are top-rate. And as a retired architect, this type of thing is right down his alley.

In attendance were René, his wife, Annie, Jacques and Jeroen. Our friend, Kal from Brussels made a brief appearance, too. A great group of people! Annie kept us in food and coffee as we explored René's unique setup for making Daguerreotypes.

Rene's mercury pot.Typically, when making Daguerreotypes, you would have two fuming boxes (iodine and bromine) and a mercury pot under a fuming hood in a darkroom. Not René, he built his fuming boxes to take a modern film holder (4x5) and fume by time. Although, you can take the holder to the darkroom and check for color. We made plates outside on his garden patio. It's a very cool system and works well.

His mercury pot (one of them) uses visual inspection for development. It has two little safe windows; one to look at the plate and one for light. With his  other mercury pot, development done only by time, no visual inspection.

I brought some 4x5 plates, but we had a difficult time preparing them. I don't think we cleaned/buffed the first plate well enough. It had only a faint image. Moreover, René's iodine crystals were weak. I think that gave us problems, too. We replaced his crystals with mine (fresh/new) and voilà, the magic of the Daguerreotype! Of course, not a perfect plate, but we were working with limited time and had other things to discuss (my equipment). It was fun and rewarding.

When I return to the United States, I will be making Half Plate and Whole Plate Daguerreotypes. I'll have everything here (except a fume hood) when René completes this equipment. So I will leave Europe ready to make plates. Daguerreotypes are the first in the processes of The '39-'89 Project I'm working on now. I'm very excited about the next couple of years!

 

René's fuming box - both iodine and bromine and he can spin the plate around for a more even coating.

15 mins at f/22

The Daguerreotype being held with BBQ tongs to dry it.Jeanne watches as René plugs the Hg pot.
The working table.

The end result - a 4"x5" Daguerreotype

Wet Plate Collodion in Brussels, Belgium

I did a demonstration/performance (that's what I call them) for a group of photo artists, collectors and friends in Brussels, Belgium Saturday. My friend, Carl Fransman (lives in Brussels and organizes all things photo related), sent me some great photos from yesterday's shoot/demo/performance - thanks Carl! All photos by Carl Fransman.

Quinn explains the "tastiness" of ripe Collodion. 
Bright eyed and bushy tailed - that's Quinn in his darkbox.

The preparations begin in the darkbox.
Cleaning the plate.
Pouring, or flowing the plate, with the aforementioned "tasty" Collodion.
Quinn acting like a magician, trying to keep the "tastiness" on the glass.
Draining the tastiness. The gentleman behind me has one of the most exquisite 19th century camera/photo collections in Europe - he owns two, yes, two Dubronis. We've been invited to his home for dinner and to see his collection! 
The first plate - 8x10 Black Glass Ambrotype (not fixed yet) - a group of photo artist/collectors from Brussels. 
The second plate - a Whole Plate Alumitype - varnishing the plate. 
The portrait of the Belgian Artists (and Quinn) is varnished! 
The Belgian Artists (and Quinn)! Near the Grand Sablon, Brussels - February 7, 2009 

Brussels, Belgium

 Grand Sablon - Brussels , BelgiumWe just returned from a few days in Brussels. It's one of those cities you might not think to visit when in Europe, but really surprises you when you do - it's a gem! If you have any interest in chocolate, food, beer, waffles, art and history, (in any order) put it on your list.

We stayed at the Phileas Fogg (yes, Around The World In Eighty Days, that guy) - we had a "communal European" experience. It's located in the center of the city and was recommend by a friend in Brussels.

Jeanne spent Friday in a meeting (one of the reasons we went to Brussels) while Summer and I wandered the city. We visited a few places, but mostly just walked for hours through the city. We sat in cafes and talked with people. There was a writer from Manhattan named Debra we got to know. Her friends showed up too - Belgian and American - but they've all lived in Brussels for decades. It's like a scene from a movie, talking art and politics in a cafe in Europe. Great stuff! In the late afternoon, we ended up in the center of Brussels at the "Grand-Place". We were treated to dinner at the Rosa Blanche in the heart of the square. The food in Brussels is, without doubt, some of the best we've ever had in Europe - this was no exception.  

"One of the most beautiful town squares in Europe, if not in the world", is a phrase often heard when visitors in  Brussels try to describe the beauty of the central market square. French-speakers refer to it as the 'Grand-Place', whereas in Dutch it is called 'de grote Markt'. The tourists of the 21th century are not alone in their admiration . Archduchess Isabella, daughter of Filip II of Spain wrote about the square during her visit to Brussels on September the 5th 1599:  "Never have I seen something so beautiful and exquisite as the town square of the city where the town hall rises up into the sky. The decoration of the houses is most remarkable".

Oh yes! The waffles - how can you not indulge? Foodies?Writers like Victor Hugo and Charles Baudelaire were also struck by the charm of the market square with its beautiful set of Guild houses dominated by the Town hall and the King's house.


The origins of the Grand-Place, however, are humble. The site still formed a sand-bank between two brooks which ran downhill to the river Senne. Once the sand-bank was reclaimed it turned into the "Niedermerckt", or 'lower market'. Already in the 12th century Brussels had become a commercial crossroads between Bruges (in Flanders) , Cologne, Germany , and France. English wool, French wines and German beer were sold in the harbor and on the  market.

We ate at a place called, "The Ultimate Hallucination (De Ultime Hallucinatie)" Thursday night. We had an appetizer of fried croquettes with North Sea Shrimp (traditional Belgium shrimp croquettes are made with North Sea shrimp, called brown shrimp — small, and very flavorful, and not readily available in the United States) and cheese - they served it with arugula covered with olive oil and vinegar - wow! I've never experienced such a wonderful taste/experience! I had the "Mussels from Brussels Casserole - it was ~20 of the best mussels I've ever tasted, boiled with stocks of celery. Jeanne had a steak with béarnaise sauce and Summer had North Sea Shrimp and a potato. We fell in love with the Trappist beers, too - Wellemalle Triple, Chimay, Rochefort and many others. The beer is the best in world.

A little boy pissing in a fountain - cool! At first glance, you'd think (the image above - brass figure) is sculpture of Jesus. It's not, it's Everard 't Serclaes - you can read about it here. I was asking (just like an 'Ugly American') if Jesus really had a dog. I wished we would have video taped some of the reactions. Then it was onto the Manneken Pis (little peeing boy) statue - The question I asked, "Why is the baby Jesus peeing?" It was awesome. Like, "Ugly American Goes Candid Camera On Brussels" - yummy! We got a kitsch piece of the Manneken Pis - it's a small statue and his penis is a cork screw.

Chocolate - need I say more? We met with Carl and friends on Saturday. There's a group of artists and collectors (photography aficionados) that meet every Saturday morning at the Café Leffe, near the Grand Sablon. We joined them Saturday. We had coffee and talked. Then, we went down a side street and I set up my dark-box and made plates for a couple of hours. It was great to do this for such an intense and interested group of people. I made two group portraits and one plate of a sculpture. I'll post some photos when Carl sends them (we were busy making plates, didn't get any snaps).

We ended our trip with a stop for some chocolate, waffles and beer. We're home now, and we'll savor every sip and every bite. We had a wonderful time and made some great memories.  It was a 3.5 hour drive home and we drove in three countries - Belgium, The Netherlands, and Germany.

Brussels has some of the best chocolate in Europe!

Rub it for good luck - yeah, I believe in that kind of stuff, sure.