The American West Portraits; Hanging

I was very pleased with our trip to Paris to open my show. The photographs were received well, attendance was great and we had a wonderful time. 

We'll go back to close the show in June and do some more teaching, portraits and research for my next body of work. It's all very exciting. Thanks to everyone that helped make this possible. All of the sitters, the gallery, and most of all Jeanne!

These are some images that Fabrice Pejout posted on Facebook. These show the space, you can see why I get excited about my work hanging in this gallery. 

Here's an English article about the exhibition: France Revisited  

 

All 16"x20" Wet Collodion Positives - raw and real. photo by Fabrice Pejout

 

The main hallway - but there is a lot more to the catacombs that the images show. photo by Fabrice Pejout

 

Two 16"x20" Wet Collodion Positive plates. Photo by Fabrice Pejout

Exhibitions: Closing Out 2010

I’ll  be in two exhibitions in August/September and then one in October/November. The first is at ArtReactor in/near Washington D.C. the advert reads:

“I am pleased to announce the opening of the Whole Plate Project exhibition. The Whole Plate Project is an exhibit centered around photographers working in the whole plate format, the original photographic format (6.5 by 8.5 inches), and its historical and contemporary resonances. The show features work by Quinn Jacobson, Diane Maher, Chris Rini, Denise Ross, David White, Heather Wetzel, Barry Schmetter and Scott Davis. Works featured include cyanotypes, wet plate, silver gelatin and platinum/palladium prints. The opening reception will be Friday, August 6, from 7-9 PM. The exhibit space will be open weekends, otherwise by appointment.
Art Reactor is a new gallery/workshop/studio space in the Hyattsville arts corridor, located at 5614 Baltimore Avenue, Hyattsville, Maryland. For more information about the space, go to http://artreactor.org

I’ve sent this triptych over for the show:

The second show is at LightBox Photographic Gallery. It’s a show of “alternative” work and processes. I have one piece in it:

 
"Judasbaum" - Viernheim, Germany

And one more exhibition at the same gallery, Lightbox Photographic, called, “The 2nd Annual Spooky Show” (October/November). They asked for these pieces:

 "Jewish DNA"

 
"The Monster’s Suicide"

 
"German Man With An Axe"

With that, it closes out my 2010 exhibition list. 2011 will be a new year, new work and a new exhibitions!

A New Chapter Begins...Now!

It seems I've closed one chapter of my life and am ready for the next one.

As I look back over the last year (2009/2010), I see what I've done and I'm amazed and incredibly satisfied. Having these kinds of opportunities (Paris exhibition, Archer Project, etc.) is a rare and wonderful thing.

Henry David Thoreau said, "The mass of men lead lives of quiet desperation". For the most part, I would agree with that. They're desperate because they are clueless about their purpose. The trick is to find your passion and pursue it with everything you have. Take risks, push your boundaries, and never quit. Passion is what we need more of - and I don't mean passion as in fundamental religions or passions that hurt people. I'm talking about a personal passion - it's always a positive thing, an asset to society, not a liability. Finding out why you are here and what you're supposed to be doing with your life is what we need to be asking ourselves. For the past 10 or 15 years, maybe more, I've been preoccupied with this idea and have done my best to be honest in its pursuit.

How do you define success? Happiness? Satisfaction? Is it relative? I'm not sure. Regardless of the definition, at this moment in my life I would have to mark 9/10 in all of the categories. I feel accomplished, appreciated and am very happy. Over the last few years in Europe, I've met some of the most kind and wonderful people in the world. Every color, nationality, race and religion - all beautiful, interesting people that helped me get to this point. I can't thank them enough for the difference they've made in my life.

I've talked a lot about stepping out of the spotlight. I'm beginning that process now. Some of it will be a little bit sad for me. I'll miss doing some of the things that I've been doing for a long time. However, it's time to move on and experience the next chapter/adventure of my life. I know it's time.

My exhibition in Paris (Centre Iris) just ended. It was successful beyond words. I'm eternally grateful and thankful for Pierre, Olivier, Benoît, William, Patrick, Bruno, and all of the students in my workshops; almost thirty of you! I would also like to thank all of the sitters that came for portraits. I ended up making almost 175 portraits of Parisians over the last few months. Talk about a body of work! I heard some of the kindest comments and had the honor of making portraits of some very important people in the world of photography. Merci beacoup! It was my honor and pleasure. And finally, Jeanne and Summer, I love you! What an adventure! I could have never, ever done this without you! Hugs, kisses, and someday we'll be having some more Chinese ravioli and Japanese Sushi in Paris!

There are some wonderful things ahead for me (art/photographically). I'm looking forward to sharing them when the time is right. Summer will be starting her studies in August and we (Jeanne and I) may have some big changes ahead, too. We'll see. For right now, let's say the operative word is: CHANGE. Change is good. Change presents opportunity. Don't fear change.

One more thing; I wanted to share some images I'm sending to Washington D.C. for an exhibition. This is Benoît, a Parisian artist and filmmaker. I call this, "Three Portraits in Paris: Chopin's Left Hand". You get it, I don't need to explain it. However, the Parisian model with black eyes may be a different story...

 
"Three Portraits in Paris: Chopin's Left Hand", Triptych - Whole Plate Black Glass Ambrotypes

 "Parisian Model With Black Eyes" - Whole Plate Black Glass Ambrotype

This is Gwen, she was the sweetest lady you could meet. I made two plates of her, I kept this one. Update: I gave this plate to a friend, Joe Baltz, a photographer and teacher in Chicago, IL.

If you would like to see a small sample of the portraits I made in Paris, you can go here. Please forgive the low quality of the images, they were “snapped” with my small digital point and shoot. There are about 150 I never got snaps of!

French 3 Television

France 3 TV's piece about Quinn's exhibition in Paris at Centre Iris Gallery.

France 3 TV just aired this piece this week. The spot is about my exhibiton and work in the Wet Plate Collodion process. They also show a lot of images from my exhibition in Paris at the Centre Iris Gallery. It's a really good piece - very "top shelf". I'm very pleased. Enjoy!

The Paris Exhibition Part One

I’m sitting here exhausted and elated. I’ve just returned from 9 days in Paris. Needless to say, a lot happened. First I want to thank Jeanne, Summer, Olivier, Pierre, and William. Without you, none of this would have happened. There’s nothing that compares to having people in your life that care about you and support you – thank you, merci, thank you, merci!Leica Group member - he volunteered for the demo - a portrait.

For me, this event was like the striking of a match (wood stick match). If you watch closely, you can see the phosphorus burn and ignite the wood.  So now, my match is burning – in the center of Paris, France. It’s a good feeling.

While I’ve had other exhibitions and have shown my work in some great places, this exhibition is extremely important for me. First, it’s in Paris, France – the birthplace, or home of photography. I’ve always dreamed of showing my work in Paris. Any artist/photographer would say the same. Also, the Parisians/French have a particular love for the art of photography. It makes sense that they would. As you can imagine, I spoke with a lot of people over the last week about my work. Never before have I had so many people make comments about my photographs being important for something beyond the process. In other words, it’s not just the Wet Plate Collodion process that makes the work interesting. The concept of the work goes beyond the craft, or better yet, compliments the craft. Every time I heard that, I was overjoyed – that means a lot to me. It’s too easy to get caught up in craft and forget the concept. I heard none of that in Paris. I’ve always said that the French and Spanish have a certain sensibility when it comes to my work. They “get it”. 

Along with their photography culture, I also love the French for their food culture. We were treated to some of the best places to eat in the center of Paris. One afternoon, we had lunch with Jeroen and Geert-Jan, friends from Holland, in a restaurant that is in the oldest house in Paris (1407). It was surreal, and delicious. And Pierre and Olivier treated us to an incredible dinner at L’Autobus Impérial (check out the video). The food there was unbelievably good, not to mention the wine and final drink at the bar (the flaming cocktail).

The opening of my show was terrific. There were more people there than you could count. A big turn out – it really surprised me. My good friend, Bart from Moscow was there, thank you for your support! And Vernon and Christian came from Germany for the opening, thank you! Christian, that photo you made of me by camera is the best I’ve ever seen – we need to talk.

Pierre worked with the bartender from L’ Autobus and made a special drink/cocktail for my opening. It was like a Black Russian with wine and some other things, we called it, “Black Collodion”. It was delicious – I think I had four glasses of it! There were people from all over Europe that came to see the work. It humbled me, to say the least. After the opening, about fifteen of us went out for Japanese food – I had sushi and Sake – it was terrific!

I did a public demonstration on Tuesday for about seventeen people. It went very well. I made two Whole Plate portraits of two people in the audience. My friend, Chris Nisperos, kindly translated for those that  didn’t speak English.

Wednesday was the “Portrait Day” that almost turned into Thursday. I started at about 10AM, and with the help of Jeanne and Summer, I went until almost midnight making portraits of Parisians that lined up at the studio door. I poured was over 40 plates that day/night! The largest number of plates I’ve ever made in one day/night – and most of them were Whole Plate or 8”x10”. If that doesn’t test your Collodion fortitude, I don’t know what does. I made portraits of some very important people (they were all important, I should say “known” people), too. Well connected in the photography world. One was the managing editor of Photo Magazine. I’m doing an interview this week with them for an article.

Thursday was day one of Workshop #1 – seven people. There was a writer/photographer from Réponses Photo magazine in this workshop. I’m looking forward to a cover and several inside pages in the April or May issue. It was a great group of people and an excellent workshop.

That evening, I did a “perfomative lecture” for the Paris Photo Group (from Bievre). I got to see Marie Jo, the president of the group and we chatted a little bit about the photo fair in June. It will be another banner year! The group seemed to enjoy what they saw and asked a lot of engaging questions. It was a very large group.

Friday, I finished up Workshop #1 and prepared for Workshop #2 that started bright and early on Saturday. Workshop #2 had five people in it. Great group! They made some really nice photographs and seemed to take to Collodion like they had been doing it for years. Saturday night we enjoyed a very nice meal at L’ Autobus (see above).

On Sunday, I gave another “performative lecture” to the Leica Group of Paris. The image above is the demonstration portrait I made. I wish it were higher quality, but trust me, his beard looked wonderful! This group also seemed to enjoy what they saw. I was happy to do “perform” for them, too.

So, in a nutshell, this is what happened; I had an opening of a large exhibition. I sold several pieces the first couple of days and several more are reserved (this blew my mind). I taught 13 people the Wet Plate Collodion process. I made almost 50 portraits. I did three “performative lectures” and I’ve been published in over a dozen French magazines. All of this would not have been possible without the support of my friends and family, thank you very, very much!

Centre Iris Gallery 238 rue St Martin – Paris – The perfect venue for my work!

 This is a short clip of me making Franck’s portrait. It was a beautiful image. He gave me a piece he made of me – a painting/photograph – gorgeous! Great guy and wonderful artist!

A slower, more complete look the day before the opening.

 Summer shows off Jeff’s image – and some other large prints in the show.

We all enjoyed this "fire" drink at L’ Autobus Imperial one of Pierre's inventions – nice!

 

Glass Memories

It’s funny how time works. A few months ago, I was pouring plates and contemplating what images I wanted toRockin' the "Glass Memories" T-shirt. Limited edition! make for my exhibit. And I was taking days to think about my work, or about one image. I was moving slowly and pensively. Time was a plentiful commodity. Today, I’m scrambling about checking lists, looking in boxes, talking to myself and running around here like a chicken with its head cut off. Time has become a scare commodity and there’s no way for me to buy anymore – we leave Sunday for Paris.

The good news is: I’m almost there. The big stuff is finished (thank G-d). I just completed framing the two big silver prints from Barcelona. I need to put the dust covers and wires on them, but that’s it. I ended up with 70 framed pieces and almost 100 images in this show. Unbelievable!

I got a brand new 8x10 camera from Steve (Rochester, New York) a couple of weeks ago. Much better than the first one I had! Paris will be its maiden voyage. I’ll use it for the demos, the work on portrait days, etc., and the students in the workshops will use 4x5 cameras. We’re taking one 4x5 and the gallery has three. I should’ve set my workshops up like this a long time ago. It’s easier to operate, less stressful and better for people learning the process. There should be some very interesting images coming out of Paris next week.

And yes, that is a bad-ass t-shirt! Notice the design? I illustrated a Wet Plate Collodion camera from the 1860s, with a big Jamin-Darlot (cone) lens and put it on contemporary tripod. You can click on the image to enlarge it.

28" x 32" - 16"x20" Silver Gelatin print from Collodion Negative/Positive - Barcelona, Spain

Exhibition In Paris, France

The website of Centre Iris Gallery for photographyI’ve had three photographic dreams my life. The first, to have a photographic exhibition of my work in Paris, France. The second, to have a book of my photographs published (a very nice 12” x 12” tri-tone, spot varnished images). And the third, to own and operate a (historical) photography school - the first three processes - Daguerreotypes, Calotypes and Wet Plate Collodion.

I’m happy to say that the first dream has come true! I’ve been invited to do a show in the center of Paris at a gallery called, “Centre Iris Pour La Photographie”. This is an incredible high for me. Paris is the birthplace of photography and the French, for the most part, really love and appreciate the art.

My exhibition will run from 9 March to 19 June, 2010. I will be doing a live demonstration of the process; I call them “performative lectures”, and a full-blown, two-day workshop during the exhibition, too.

This will be my second solo exhibition with my Wet Plate Collodion work. The show will consist of 50 – 60 pieces; Ambrotypes, Tintypes, Alumitypes, and Albumen prints (singles, diptychs, and triptychs). I’m going to exhibit both the, “Portraits from Madison Avenue” work and the, “Vergangenheitsbewältigung” work.

Wish me luck! I hope you can make the opening!